In this Book

Mandelstam, Blok, and the Boundaries of Mythopoetic Symbolism

Book
2011
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“Mandelstam had no teacher,” marveled Anna Akhmatova, reflecting on his early maturity and singularity. But Mandelstam himself spoke of the need and even duty to study a poet’s literary roots. So how did this consummately complex, compelling, multi-resonant poet navigate and exploit the burden of the Russian Symbolist movement from which he emerged? How did this process change and augment his poetry? Through a series of illuminating readings, Stuart Goldberg explores the ongoing role that the poetry of Russian Symbolism played in Osip Mandelstam’s creative life, laying bare the poet’s productive play with distance and immediacy in his assimilation of the Symbolist heritage. At the same time, Mandelstam, Blok, and the Boundaries of Mythopoetic Symbolism presents the first coherent narrative of the poet’s fraught relationship with Alexander Blok, the most powerful poetic voice among the Symbolists. This dialogue, which was largely one-sided, extended beyond poetic intertext into the realms of poetics, charisma, and personality. Goldberg’s study pushes theoretical boundaries, exploring the juncture between pragmatics and intertext, adapting and challenging Bloom’s anxiety of influence theory, and, ultimately, tracing a shift in the nature of sincerity and authenticity that divided poetic generations.

Table of Contents

Cover

pp. 1-1

Title Page, Copyright

pp. 2-7

Contents

pp. vii-viii

Acknowledgments

pp. ix-xii

Note on Transliteration

pp. xiii-xiv

Part I

1. Introduction

pp. 3-20

2. Prescient Evasions of Bloom

pp. 21-32

Part II

3. Departure

pp. 35-48

4. The Pendulum at the Heart of Stone

pp. 49-55

5. Struggling with the Faith

pp. 56-82

Part III

6. Bedside with the Symbolist Hero

pp. 85-99

7. The Superficial and the Profound

pp. 100-129

8. Blok’s Theater Poems

pp. 130-146

9. Boundaries Erected, Boundaries Effaced

pp. 147-164

PART IV

10. “To Anaxagoras” in the Velvet Night

pp. 167-184

11. From Theatricality to Tragedy

pp. 185-196

12. Of Badgers and Barstvennost’

pp. 197-210

13. Conclusion: Whence (and Whither) Authenticity?

pp. 211-216

Appendix

pp. 217-220

Notes

pp. 221-276

Selected Bibliography

pp. 277-290

Index of Works by Mandelstam and Blok

pp. 291-296

Subject Index

pp. 297-306
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