In this Book

After Testimony: The Ethics and Aesthetics of Holocaust Narrative for the Future

Book
Edited by Jakob Lothe, Susan Rubin Suleiman, and James Phelan
2012
buy this book Buy This Book in Print
summary
After Testimony: The Ethics and Aesthetics of Holocaust Narrative for the Future collects sixteen essays written with the awareness that we are on the verge of a historical shift in our relation to the Third Reich’s programmatic genocide. Soon there will be no living survivors of the Holocaust, and therefore people not directly connected to the event must assume the full responsibility for representing it. The contributors believe that this shift has broad consequences for narratives of the Holocaust. By virtue of being “after” the accounts of survivors, storytellers must find their own ways of coming to terms with the historical reality that those testimonies have tried to communicate. The ethical and aesthetic dimensions of these stories will be especially crucial to their effectiveness. Guided by these principles and employing the tools of contemporary narrative theory, the contributors analyze a wide range of Holocaust narratives—fictional and nonfictional, literary and filmic—for the dual purpose of offering fresh insights and identifying issues and strategies likely to be significant in the future. In addition to the editors, the contributors are Daphna Erdinast-Vulcan, Sidra DeKoven Ezrahi, Anniken Greve, Jeremy Hawthorn, Marianne Hirsch, Irene Kacandes, Phillipe Mesnard, J. Hillis Miller, Michael Rothberg, Beatrice Sandberg, Anette H. Storeide, Anne Thelle, and Janet Walker.

Table of Contents

Cover

pp. 1-1

Title Page, Copyright

pp. iii-iv

Contents

pp. v-vi

Illustrations

pp. vii-vii

Acknowledgements

pp. ix-ix

Introduction: "After" Testimony - Holocaust Representation and Narrative Theory

pp. 1-19

Part I. The Powers and Limits of Fiction

Chapter 1. Imre Kertész’s Fatelessness

pp. 23-51

Chapter 2. Challenges for the Successor Generations of German–Jewish Authors in Germany

pp. 52-76

Chapter 3. Recent Literature Confronting the Past

pp. 77-98

Chapter 4. Performing a Perpetrator as Witness

pp. 99-119

Chapter 5. The Ethics and Aesthetics of Backward Narration in Martin Amis’s Time’s Arrow

pp. 120-139

Part II. Intersections/Border Crossings

Chapter 6. The Face-to-Face Encounter in Holocaust Narrative

pp. 143-161

Chapter 7. Knowing Little, Adding Nothing

pp. 162-178

Chapter 8. “When facts are scarce”

pp. 179-197

Chapter 9. Objects of Return

pp. 198-220

Chapter 10. Narrative, Memory, and Visual Image

pp. 221-246

Chaoter 11. Which Narrative of Auschwitz?

pp. 247-268

Chapter 12. Moving Testimonies

pp. 269-288

Part III. The Holocaust and Others

Chapter 13. From Auschwitz to the Temple Mount

pp. 291-313

Chapter 14. The Melancholy Generation

pp. 314-330

Chapter 15. Fractured Relations

pp. 331-349

Chapter 16. Hiroshima and the Holocaust

pp. 350-367

Contributors

pp. 369-372

Index

pp. 373-380
Back To Top