In this Book
Stage Money: The Business of the Professional Theater
Book
2012
Published by:
University of South Carolina Press
summary
Stage Money is a groundbreaking guide to understanding professional theater finances today through the use of the tools and metaphors of the business world at large. This approach results in a comprehensive picture of the economic realities of theater production that is radically different from the assessments typically espoused elsewhere. Tim Donahue and Jim Patterson combine their experiences in the financial and creative aspects of theater production to present in straightforward prose their keen insights into the micro- and macro-economic aspects of the commercial stage. Tangible data, charts, and graphs are counterbalanced with illuminating "intermissions" between chapters and interspersed sidebars throughout to provide specific examples of key concepts, collectively presenting an expansive overview of the contemporary theater business. Stage Money is an unparalleled tool for theater professionals and enthusiasts interested in garnering a better understanding of the business's inner workings at present and its challenges for the future.
Among the topics addressed in Stage Money are the risks and returns on Broadway in the early twenty-first century, the financial organization of theater performances today, and comparisons between the business models of commercial theater and not-for-profit theater. In concise language and clear examples, the authors explain where the money comes from and where it goes.
Table of Contents
Cover
pp. 1-3
Title Page
pp. 4-4
Copyright Page
pp. 5-7
Table of Contents
pp. vii-8
List of Illustrations
pp. viii-9
Preface: It's All about the Money
pp. ix-xiv
Acknowledgments
pp. xv-xvi
1: Commercial Theaters vs Not-for-Profit Theaters: Key Differences
pp. 1-4
Intermission: Disney on Broadway
pp. 5-7
2: Commercial Theater On- and Off-Broadway: Finance and Legal Structures
pp. 8-24
Intermission: Broadway and the Shubert Foundations
pp. 25-29
3: Risk and Return in the Commercial Theaters
pp. 30-55
Intermission: The Chitlin' Circuits
pp. 56-59
4: The Road and Las Vegass
pp. 60-78
Intermission: Playbill
pp. 79-80
5: Ticket Pricing
pp. 81-94
Intermission: The Glut of Performers: Actors' Earnings and Actors Equity
pp. 95-103
6: The Not-for-Profit Professional Theater
pp. 104-123
Intermission: Steppenwolf Theatre Company and the Stages of Financial Growth
pp. 124-130
7: Shall We Dance? The Commercial and Not-for-Profit Theater Relationship
pp. 131-149
Afterword: Looking to the Future
pp. 150-154
Appendix: 2008â2009 Broadway Season Summary
pp. 155-158
Selected Bibliography
pp. 159-164
Index
pp. 165-174
About the Authors
pp. 192-192
ISBN | 9781611172232 |
---|---|
Related ISBN(s) | 9781570039065, 9781570039072 |
MARC Record | Download |
OCLC | 822019841 |
Pages | 192 |
Launched on MUSE | 2014-01-01 |
Language | English |
Open Access | No |