In this Book

Stage Money: The Business of the Professional Theater

Book
Tim Donahue
2012
summary
Stage Money is a groundbreaking guide to understanding professional theater finances today through the use of the tools and metaphors of the business world at large. This approach results in a comprehensive picture of the economic realities of theater production that is radically different from the assessments typically espoused elsewhere. Tim Donahue and Jim Patterson combine their experiences in the financial and creative aspects of theater production to present in straightforward prose their keen insights into the micro- and macro-economic aspects of the commercial stage. Tangible data, charts, and graphs are counterbalanced with illuminating "intermissions" between chapters and interspersed sidebars throughout to provide specific examples of key concepts, collectively presenting an expansive overview of the contemporary theater business. Stage Money is an unparalleled tool for theater professionals and enthusiasts interested in garnering a better understanding of the business's inner workings at present and its challenges for the future. Among the topics addressed in Stage Money are the risks and returns on Broadway in the early twenty-first century, the financial organization of theater performances today, and comparisons between the business models of commercial theater and not-for-profit theater. In concise language and clear examples, the authors explain where the money comes from and where it goes.

Table of Contents

Cover

pp. 1-3

Title Page

pp. 4-4

Copyright Page

pp. 5-7

Table of Contents

pp. vii-8

List of Illustrations

pp. viii-9

Preface: It's All about the Money

pp. ix-xiv

Acknowledgments

pp. xv-xvi

1: Commercial Theaters vs Not-for-Profit Theaters: Key Differences

pp. 1-4

Intermission: Disney on Broadway

pp. 5-7

2: Commercial Theater On- and Off-Broadway: Finance and Legal Structures

pp. 8-24

Intermission: Broadway and the Shubert Foundations

pp. 25-29

3: Risk and Return in the Commercial Theaters

pp. 30-55

Intermission: The Chitlin' Circuits

pp. 56-59

4: The Road and Las Vegass

pp. 60-78

Intermission: Playbill

pp. 79-80

5: Ticket Pricing

pp. 81-94

Intermission: The Glut of Performers: Actors' Earnings and Actors Equity

pp. 95-103

6: The Not-for-Profit Professional Theater

pp. 104-123

Intermission: Steppenwolf Theatre Company and the Stages of Financial Growth

pp. 124-130

7: Shall We Dance? The Commercial and Not-for-Profit Theater Relationship

pp. 131-149

Afterword: Looking to the Future

pp. 150-154

Appendix: 2008–2009 Broadway Season Summary

pp. 155-158

Selected Bibliography

pp. 159-164

Index

pp. 165-174

About the Authors

pp. 192-192
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