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Table of Contents

  1. Cover
  2. p. 1
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  1. Title Page, Copyright Page
  2. pp. 2-5
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  1. Contents
  2. pp. v-vi
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  1. Editors’ Preface
  2. pp. vii-x
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  1. A Backward-Looking Foreword
  2. pp. xi-xvi
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  1. Introduction
  2. pp. 1-19
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  1. U2 3D: Concert Films and/as Live Performance
  2. pp. 20-36
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  1. Performing Collective Improvisation: The Grateful Dead’s “Dark Star”
  2. pp. 37-51
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  1. Jazz Improvisation as a Social Arrangement
  2. pp. 52-69
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  1. Bridging the Unbridgeable? Empirical Musicology and Interdisciplinary Performance Studies
  2. pp. 70-85
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  1. The Written and the Sung: Ornamenting Il barbiere di Siviglia
  2. pp. 86-101
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  1. Enacting the Revolution: Thalberg in 1848
  2. pp. 102-124
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  1. Cutting Loose: Burying “The First Man of Jazz”
  2. pp. 125-134
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  1. Abbey Lincoln’s Screaming Singing and the Sonic Liberatory Potential Thereafter
  2. pp. 135-154
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  1. Got to Get Over the Hump: The Politics of Glamin the Work of Labelle and Parliament
  2. pp. 155-179
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  1. “Bring the Pain”: Post-Soul Memory, Neo-Soul Affect, and Lauryn Hill in the Black Public Sphere
  2. pp. 180-203
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  1. Don’t Stop ’til You Get Enough: Presence, Spectacle, and Good Feeling in Michael Jackson’s This Is It
  2. pp. 204-236
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  1. Carles Santos: “Music in the Theatre”
  2. pp. 237-261
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  1. Tchekisse: Neba Solo’s Senufo Counterpoint in Action
  2. pp. 262-278
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  1. Playing Games with Music (and Vice Versa): Ludomusicological Perspectives on Guitar Hero and Rock Band
  2. pp. 279-318
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  1. Beyond Performance: Transmusicking in Cyberspace
  2. pp. 319-348
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  1. Afterword: Music as Performance: The Disciplinary Dilemma Revisited
  2. pp. 349-358
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  1. Contributors
  2. pp. 359-364
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  1. Index
  2. pp. 365-381
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Additional Information

ISBN
9780472029303
Related ISBN
9780472071777
MARC Record
OCLC
848902281
Pages
392
Launched on MUSE
2013-08-13
Language
English
Open Access
No
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