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summary
Despite having created one of the most important musical cultures of the last fifty years, hip-hop composers who use digital sampling are rarely taken seriously as artists. But hip-hop deejays and producers have collectively developed an artistic system that features a complex aesthetic, a detailed array of social protocols, a rigorous set of ethical expectations and a rich historical consciousness.

Based on ten years of research among hip-hop producers, Making Beats is the first work of scholarship to explore the goals, methods and values of this surprisingly insular community. Focusing on a variety of subjects--from hip-hop artists' pedagogical methods to the Afro-diasporic roots of the sampling process to the social significance of "digging" for rare records--Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values and cultural realities.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright Page
  2. pp. 2-9
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  1. Contents
  2. pp. ix-11
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  1. Acknowledgments
  2. pp. xi-15
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  1. 1 Introduction
  2. pp. 1-24
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  1. 2 “It’s about Playing Records”: History
  2. pp. 25-62
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  1. 3 “It Just Doesn’t Sound Authentic”: Live Instrumentation versus Hip-Hop Purism
  2. pp. 63-78
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  1. 4 Materials and Inspiration: Digging in the Crates
  2. pp. 79-100
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  1. 5 Sampling Ethics
  2. pp. 101-134
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  1. 6 Elements of Style: Aesthetics of Hip-Hop Composition
  2. pp. 135-168
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  1. 7 The Outer Circle: From Samplers to Ears
  2. pp. 169-194
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  1. 8 Conclusions
  2. pp. 195-198
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  1. Endnotes
  2. pp. 199-208
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  1. Bibliography
  2. pp. 209-216
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  1. Interviews by Author
  2. pp. 217-220
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  1. Discography
  2. pp. 221-236
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  1. Index
  2. pp. 222-225
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  1. About the Author
  2. pp. 226-241
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