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Words, Not Swords: Iranian Women Writers and the Freedom of Movement

Book
Farzaneh Milani
2011
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A woman not only needs a room of her own, as Virginia Woolf wrote, but also the freedom to leave it and return to it at will; for a room without that right becomes a prison cell. The privilege of self-directed movement, the power to pick up and go as one pleases, has not been a traditional "right" of Iranian women. This prerogative has been denied them in the name of piety, anatomy, chastity, class, safety, and even beauty. It is only during the last 160 years that the spell has been broken and Iranian women have emerged as a moderating, modernizing force. Women writers have been at the forefront of this desegregating movement and renegotiation of boundaries.

Words, Not Swords explores the legacy of sex segregation and its manifestations in Iranian literature and film and in notions of beauty and the erotics of passivity. Milani expands her argument beyond Iranian culture, arguing that freedom of movement is a theme that crosses frontiers and dissolves conventional distinctions of geography, history, and religion. She makes bold connections between veiling and foot binding, between Cinderella and Barbie, between the figures of the female Gypsy and the witch. In so doing, she challenges cultural hierarchies that divert attention from key issues in the control of women across the globe.

Table of Contents

Cover

Title Page, Copyright, Dedication, About the Author

pp. iii-vi

Contents

pp. ix-x

Acknowledgments

pp. xi-xiii

Prologue: “Yeki Bud, Yeki Nabud”

pp. xv-xxiv

Introduction: Keeping Women in Their Place

pp. 1-26

Part One: A Legacy of Containment

1. Enclosed Bodies, Trapped Voices, Framed Images: The Poetics of Sex Segregation

pp. 29-49

2. The Bonds of Beauty: Immobilizing the Ideal Woman in Iranian Literature

pp. 50-73

3. Pardeh Neshin, or “She Who Sits Behind the Screen”: The Spatial Politics of Iranian Cinema

pp. 74-102

Part Two:

4. Badasht and Seneca Falls: Tahirih Qurratul‘Ayn and Elizabeth Cady Stanton

pp. 105-127

5. Icarus Reborn: Captivity and Flight in the Work of Forugh Farrokhzad

pp. 128-154

6. The Gypsy Poet: Fluidity and Flux in the Poetry of Simin Behbahani

pp. 155-179

7. Women on the Road: Shahrnush Parsipur and the Conference of Female Birds

pp. 180-200

Part Three: Prisoners Awaiting Liberation

8. Reading and Misreading Iranian Women in the United States: On Abducted Daughters, Incarcerated Girls, and Invisible Women

pp. 203-234

Epilogue: Words as Ambassadors of Peace and Beacons of Hope

pp. 235-245

Notes

pp. 249-302

Works Cited

pp. 303-321

Index

pp. 323-345
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