In this Book

John Oliver Killens: A Life of Black Literary Activism

Book
Keith Gilyard
2010
summary

John Oliver Killens’s politically charged novels And Then We Heard the Thunder and The Cotillion; or One Good Bull Is Half the Herd, were nominated for the Pulitzer Prize. His works of fiction and nonfiction, the most famous of which is his novel Youngblood, have been translated into more than a dozen languages. An influential novelist, essayist, screenwriter, and teacher, he was the founding chair of the Harlem Writers Guild and mentored a generation of black writers at Fisk, Howard, Columbia, and elsewhere. Killens is recognized as the spiritual father of the Black Arts Movement. In this first major biography of Killens, Keith Gilyard examines the life and career of the man who was perhaps the premier African American writer-activist from the 1950s to the 1980s.

Gilyard extends his focus to the broad boundaries of Killens’s times and literary achievement—from the Old Left to the Black Arts Movement and beyond. Figuring prominently in these pages are the many important African American artists and political figures connected to the author from the 1930s to the 1980s—W. E. B. Du Bois, Paul Robeson, Alphaeus Hunton, Langston Hughes, James Baldwin, Martin Luther King Jr., Malcolm X, Harry Belafonte, and Maya Angelou, among others.

Table of Contents

Cover

Contents

pp. vii-viii

Acknowledgments

pp. ix-xii

Introduction

pp. 1-5

ONE: A White Man’s Republic, 1915–1928

pp. 6-18

TWO: Avoiding the River, 1928–1936

pp. 19-35

THREE: Mr. Killens, 1936–1942

pp. 36-54

FOUR: Chasing the Double Victory, 1942–1945

pp. 55-66

FIVE: None as Radical as Mickey Mouse, 1945–1948

pp. 67-77

SIX: The Efficacy of Struggle, 1948–1949

pp. 78-87

SEVEN: A Colored Man Who Happened to Write, 1949–1951

pp. 88-98

EIGHT: The Poetry, Energy, and Convictions, 1951–1954

pp. 99-109

NINE: Mr. Youngblood, 1954–1955

pp. 110-120

TEN: Stalking the Truth, 1955–1957

pp. 121-134

ELEVEN: Rights and Rites, 1958–1959

pp. 135-147

TWELVE: Journey to Genesis, 1959–1961

pp. 148-162

THIRTEEN: Thundering Genius, 1961–1963

pp. 163-177

FOURTEEN: It Doesn’t Hurt to Review, 1963–1964

pp. 217-226

FIFTEEN: Statesmanlike Work, 1964

pp. 188-201

SIXTEEN: In Residence, 1965–1966

pp. 202-216

SEVENTEEN: Explaining Dissent, 1966–1967

pp. 217-226

EIGHTEEN: New Black, 1967–1968

pp. 227-238

NINETEEN: We Must Construct a Monument, 1968–1969

pp. 239-252

TWENTY: Champeenship of Blackness, 1970–1971

pp. 253-268

TWENTY-ONE: Long-Distance Running, 1971–1974

pp. 269-280

TWENTY-TWO: I Always Said Class and Race, 1974–1977

pp. 281-292

TWENTY-THREE: Pushing Pushkin, 1977–1982

pp. 293-304

TWENTY-FOUR: For Freedom, 1982–1986

pp. 305-322

TWENTY-FIVE: Dr. K’s Run, 1986–1987

pp. 323-330

Notes

pp. 331-366

Bibliography

pp. 367-385

Index

pp. 387-418
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