In this Book

Chekhov for the 21st Century
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Table of Contents

  1. Half-Title
  2. pp. i-ii
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  1. Title Page
  2. pp. iii-iii
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  1. Copyright Page
  2. pp. iv-iv
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  1. Dedication
  2. pp. v-vi
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  1. Contents
  2. pp. vii-ix
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  1. Note on the Text
  2. pp. x-x
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  1. Introduction
  2. pp. 1-10
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  1. Part I: Space
  2. pp. 11-12
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  1. The Spaces Between the Places: Chekhov’s “Without a Title” and the Art of Being (Out) There
  2. pp. 13-30
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  1. Chekhov’s The Duel, or How to Colonize Responsibly
  2. pp. 31-48
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  1. Circuses and Cemeteries: Chekhovian Topoi
  2. pp. 49-54
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  1. Part II: Time
  2. pp. 55-56
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  1. Being as Event, or the Drama of Dasein: Chekhov’s The Three Sisters
  2. pp. 57-78
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  1. Classical Ideas of Fate in Chekhov’s Dramaturgy
  2. pp. 79-88
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  1. The Death of the Hero in Chekhov’s World
  2. pp. 89-108
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  1. Nabokov’s Debt to Chekhov’s Art of Memory
  2. pp. 109-124
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  1. Part III: Person
  2. pp. 125-126
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  1. Of Interpretation and Stolen Kisses: From Poetics to Metapoetics in Chekhov’s “The Kiss”
  2. pp. 127-148
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  1. Reading Chekhov Through Meyerhold’s Eyes
  2. pp. 149-166
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  1. The Marriage of Figaro, the Marriage of Lopakhin: The Hero's Revolt
  2. pp. 167-180
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  1. Cultural Kenosis in Chekhov’s “The Wife”
  2. pp. 181-194
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  1. Part IV: Word
  2. pp. 195-196
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  1. “Put Yourself in the Place of a Corncrake”: Chekhov’s Poetics of Reconciliation
  2. pp. 197-210
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  1. Graphic Insert
  2. pp. a-bb
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  1. The Psychology of Chekhov’s Creative Method and Generative Poetics
  2. pp. 211-222
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  1. Chekhov’s Style in Light of General Systems Thinking: The Steppe as a Positional Masterpiece
  2. pp. 223-244
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  1. Part V: Transpositions
  2. pp. 245-246
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  1. The Cherry Orchard in the Twenty-First Century: New Adaptations and Versions
  2. pp. 247-268
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  1. Three Sisters as a Case Study for “Making Foreign Theater or Making Theater Foreign”
  2. pp. 269-280
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  1. Gained in Translation: Chekhov’s “Lady”
  2. pp. 281-298
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  1. Uncle Vanya: Life in Time (Reception and Interpretation)
  2. pp. 299-316
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  1. Chekhov in the Jerome Lawrence and Robert E. Lee Theatre Research Institute
  2. pp. 317-334
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  1. “A Cigar in the Fresh Air”: Chekhov’s Yasha Lives!
  2. pp. 335-348
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  1. Remixing Chekhov
  2. pp. 349-354
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  1. Works Cited
  2. pp. 355-374
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  1. Cover
  2. pp. c-c
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