In this Book

  • Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino
  • Jonathan J. Cavallero
  • 2011
  • Book
  • Published by: University of Illinois Press
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Hollywood's Italian American Filmmakers explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American "imagined community," others have ignored or even denied their background. Jonathan J. Cavallero examines the films of Frank Capra, Martin Scorsese, Nancy Savoca, Francis Ford Coppola, and Quentin Tarantino with a focus on what the films reveal about each director's view on Italian American identities. Whereas Capra's films highlight similarities between immigrant characters and WASP Americans, Scorsese accepts his ethnic heritage but also sees it as confining. Similarly, many of Coppola's films provide a nostalgic treatment of Italian American identity, but with little criticism of the culture's more negative aspects. And while Savoca's movies reveal her artful ability to recognize how ethnic, gender, and class identities overlap, Tarantino's films exhibit a playfully postmodern engagement with Italian American ethnicity.
 
Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola, and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural institution that works to assimilate, has also served as a forum where assimilation was resisted.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. pp. 1-10
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  1. 1. Frank Capra: Ethnic Denial and Its Impossibility
  2. pp. 11-44
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  1. 2. Martin Scorsese: Confined and Defined by Ethnicity
  2. pp. 45-76
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  1. 3. Nancy Savoca: Ethnicity, Class, and Gender
  2. pp. 77-98
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  1. 4. Francis Ford Coppola: Ethnic Nostalgia in the Godfather Trilogy
  2. pp. 99-124
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  1. 5. Quentin Tarantino: Ethnicity and the Postmodern
  2. pp. 125-150
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  1. Conclusion: Ancestral Legacies and History's Lessons
  2. pp. 151-164
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  1. Notes
  2. pp. 165-192
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  1. Bibliography
  2. pp. 193-212
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  1. Index
  2. pp. 213-219
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  1. About the Author, Publication Information
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Additional Information

ISBN
9780252093197
Related ISBN(s)
9780252036149, 9780252078071
MARC Record
OCLC
741558482
Pages
264
Launched on MUSE
2013-01-01
Language
English
Open Access
No

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