In this Book

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. v-vi
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  1. List of Illustrations
  2. pp. vii-viii
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  1. Acknowledgements
  2. pp. ix-x
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  1. Introduction
  2. pp. xi-xxx
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  1. I: Identity, Agency, and Manliness in the Colonial and the National
  2. pp. 1-2
  1. Chapter 1. Carnival and Masculinity in the Travel Fiction of James De Mille
  2. pp. 3-16
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  1. Chapter 2. “No Money, but Muscle and Pluck”: Cultivating Trans-Imperial Manliness for the Fields of Empire, 1870–1901
  2. pp. 17-38
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  1. Chapter 3. Who’s on the Home Front? Canadian Masculinity in the NFB’s Second World War Series “Canada Carries On”
  2. pp. 39-52
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  1. II: Emotional Geographies of Anxiety, Eros, and Impairment
  2. pp. 53-54
  1. Chapter 4. Making Art Like a Man!
  2. pp. 55-78
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  1. Chapter 5. “Above Mere Men”: The Heterogeneous Male in Attila Richard Lukacs
  2. pp. 79-100
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  1. Chapter 6. Stranger Than Paradise: Immigration and Impaired Masculinities
  2. pp. 101-130
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  1. III: The Minority Male
  2. pp. 131-132
  1. Chapter 7. The “Hood” Reconfigured: Black Masculinity in Rude
  2. pp. 133-148
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  1. Chapter 8. “Keepin’ It Real”? Masculinity, Indigeneity, and Media Representations of Gangsta Rap in Regina
  2. pp. 149-170
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  1. Chapter 9. Fixing Stories “Is Sure a Lot of Work”: Watching “the Men’s Dance” in Medicine River and Green Grass, Running Water
  2. pp. 171-184
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  1. Chapter 10. Masculinity in a Minority Setting: The Emblematic Body in Simone Chaput’s Le coulonneux
  2. pp. 185-196
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  1. IV: Capitalized, Corporatized, Compromised Men
  2. pp. 197-198
  1. Chapter 11. The Politics of Marginalization at the Centre: Canadian Masculinities and Global Capitalism in Douglas Coupland’s Generation X
  2. pp. 199-214
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  1. Chapter 12. Dangerous Homosexualities and Disturbing Masculinities: The Disabling Rhetoric of Difference in Barbara Gowdy’s Mister Sandman
  2. pp. 215-230
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  1. V: Abject Masculinities
  2. pp. 231-232
  1. Chapter 13. What Do Heterosexual Men Want? Or, “The (Wandering) Queer Eye on the (Straight) Guy”
  2. pp. 233-258
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  1. Chapter 14. Boy to the Power of Three: Toronto’s Drag Kings
  2. pp. 259-280
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  1. Chapter 15. Life Without Death? Space, Affect, and Masculine Identity in the Work of Frank Cole
  2. pp. 281-296
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  1. Bibliography
  2. pp. 297-318
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  1. Biographical Notes
  2. pp. 319-324
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  1. Index
  2. pp. 325-341
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  1. Books in the Cultural Studies Series Published by Wilfrid Laurier University Press
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  1. Back Cover
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Additional Information

ISBN
9781554583751
Related ISBN
9781554583270
MARC Record
OCLC
723413493
Launched on MUSE
2012-12-20
Language
English
Open Access
No
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