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summary
Elizabeth Hadaway doesn’t just tell stories in her poems, she aims to delight as much as instruct, and her poems are scores for performance. Sparkling with shout-outs to Beowulf and Keats, varied meters, and surprising rhymes, she lifts centuries of hurt and anger into a contrary music. Her reach is vast, including everything from T. S. Eliot to the swans on her vinyl lace shower curtains. She warns us off from stereotypes and misconceptions about Appalachia and the South. Here are short lyrics and long narratives, poems about ballads, baton twirling, hound dogs, Shelley, and NASCAR stars. In “A Refusal to Mourn the Death, by Car, of Dale Earnhardt at Daytona,” she writes about a memorial T-shirt, “his face folded, half / in love with asphalt death.” Fire Baton announces the debut of a talented new poet of wit, vivacity, and color. And no matter how far she roams, she never lets us forget her roots, that she comes from a place “where where’s whirr.”

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication, Acknowledgments
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  1. Contents
  2. pp. ix-x
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  1. Was You Born Here?
  2. p. 3
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  1. All Short-a Appalachia
  2. p. 4
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  1. The Black Dog of the Blue Ridge
  2. pp. 5-7
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  1. A Refusal to Mourn the Death, by Car, of Dale Earnhardt at Daytona
  2. pp. 8-9
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  1. Living with Ballads: Sidna Allen
  2. p. 10
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  1. The Hundredth Summer of the Chestnut Blight
  2. p. 11
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  1. Ghosts for Dinner
  2. p. 12
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  1. American Viscose Plant, 1929
  2. p. 13
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  1. Clampdown
  2. p. 14
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  1. Tiffanie
  2. pp. 15-16
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  1. Drinking Bottled Water
  2. pp. 17-18
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  1. Faculty Parking Apocalypse
  2. p. 19
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  1. The Shower Curtain Swans
  2. pp. 20-21
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  1. Disney Ride Song of the South
  2. p. 22
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  1. Moved, Lost Your Number
  2. p. 23
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  1. Fearing the Loss of My Hounds
  2. p. 24
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  1. Crop Cults
  2. pp. 25-26
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  1. Living with Ballads: The Nutshell Bed
  2. pp. 27-28
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  1. Fire Baton
  2. pp. 29-30
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  1. The Crocodile Dream, Every Seven Years
  2. pp. 31-33
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  1. Magic City Mortgage Co., 1951
  2. pp. 34-35
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  1. Idol Meat
  2. p. 36
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  1. The Consolation of Philosophy
  2. pp. 37-38
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  1. Pets, Ending with My Folks’ First Dog
  2. p. 39
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  1. Barry on Porch, Barry in Parking Lot
  2. p. 40
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  1. A Scratch
  2. pp. 41-45
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  1. An Essay in Criticism
  2. p. 46
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  1. Surf with P. B. Shelley
  2. pp. 47-49
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  1. Amazed at Gray Light
  2. p. 50
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  1. A Good Half Hand
  2. pp. 51-54
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  1. The Banks of Hell
  2. p. 55
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  1. Fancy Gap
  2. pp. 56-62
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  1. Beating My Head on a Curb in California
  2. pp. 63-64
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  1. Silicon Valley, 1998
  2. p. 65
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  1. The Confirmation Gift of a Cat’s Eye Headlight
  2. pp. 66-68
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  1. Duchess
  2. p. 69
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  1. Beginning with a Line by John Berryman
  2. p. 70
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  1. Locket Icon
  2. p. 71
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  1. Richmond Breastworks
  2. pp. 72-73
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  1. Montani Semper Liberi
  2. pp. 74-75
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  1. Praise
  2. p. 76
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  1. Lumber Room
  2. p. 77
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  1. Public Transportation
  2. p. 78
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  1. Living with the Bureau of Public Debt
  2. pp. 79-80
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  1. Notes
  2. p. 81
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  1. Back Cover
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