In this Book

Terpsichore in Sneakers: Post-Modern Dance

Book
Sally Banes
2011
summary
Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane’s Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream.

Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire.

Ebook Edition Note: All images have been redacted.

Table of Contents

Cover

pp. c-vi

Contents

pp. vii-viii

List of Illustrations

pp. ix-ix

Acknowledgments

pp. x-x

Preface to the Wesleyan Paperback Edition

pp. xi-xii

Introduction to the Wesleyan Paperback Edition

pp. xiii-xl

Introduction: Sources of Post-Modern Dance

pp. 1-20

Simone Forti: Dancing as if Newborn

pp. 21-37

Simone Forti, Animal Stories

pp. 38-40

Yvonne Rainer: The Aesthetics of Denial

pp. 41-54

Yvonne Rainer, Chart from "A Quasi Survey of Some 'Minimalist' Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora, or an Analysis of Trio A"

pp. 55-56

Steve Paxton: Physical Things

pp. 57-70

Steve Paxton, Satisfyin Lover

pp. 71-76

Trisha Brown: Gravity and Levity

pp. 77-91

Trisha Brown, Skymap

pp. 92-96

David Gordon: The Ambiguities

pp. 97-108

David Gordon, Response

pp. 109-112

Deborah Hay: The Cosmic Dance

pp. 113-127

Deborah Hay, Excerpts from The Grand Dance

pp. 128-132

Lucinda Childs: The Act of Seeing

pp. 133-145

Lucinda Childs, Street Dance

pp. 146-148

Meredith Monk: Homemade Metaphors

pp. 149-165

Meredith Monk, Notes on the Voice

pp. 166-168

Kenneth King: Being Dancing Beings

pp. 169-183

Kenneth King, from Print-Out

pp. 184-186

Douglas Dunn: Cool Symmetries

pp. 187-199

Douglas Dunn, "Talking Dancing"

pp. 200-202

The Grand Union: The Presentation of Everyday Life as Dance

pp. 203-218

The Grand Union, Q & A

pp. 219-236

Chronology

pp. 237-244

Selected Bibliography

pp. 245-253

Notes

pp. 254-262

Index

pp. 263-271
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