In this Book
summary
Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane’s Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream.
Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire.
Ebook Edition Note: All images have been redacted.
Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire.
Ebook Edition Note: All images have been redacted.
Table of Contents
Cover
pp. c-vi
Contents
pp. vii-viii
List of Illustrations
pp. ix-ix
Acknowledgments
pp. x-x
Preface to the Wesleyan Paperback Edition
pp. xi-xii
Introduction to the Wesleyan Paperback Edition
pp. xiii-xl
Introduction: Sources of Post-Modern Dance
pp. 1-20
Simone Forti: Dancing as if Newborn
pp. 21-37
Simone Forti, Animal Stories
pp. 38-40
Yvonne Rainer: The Aesthetics of Denial
pp. 41-54
Yvonne Rainer, Chart from "A Quasi Survey of Some 'Minimalist' Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora, or an Analysis of Trio A"
pp. 55-56
Steve Paxton: Physical Things
pp. 57-70
Steve Paxton, Satisfyin Lover
pp. 71-76
Trisha Brown: Gravity and Levity
pp. 77-91
Trisha Brown, Skymap
pp. 92-96
David Gordon: The Ambiguities
pp. 97-108
David Gordon, Response
pp. 109-112
Deborah Hay: The Cosmic Dance
pp. 113-127
Deborah Hay, Excerpts from The Grand Dance
pp. 128-132
Lucinda Childs: The Act of Seeing
pp. 133-145
Lucinda Childs, Street Dance
pp. 146-148
Meredith Monk: Homemade Metaphors
pp. 149-165
Meredith Monk, Notes on the Voice
pp. 166-168
Kenneth King: Being Dancing Beings
pp. 169-183
Kenneth King, from Print-Out
pp. 184-186
Douglas Dunn: Cool Symmetries
pp. 187-199
Douglas Dunn, "Talking Dancing"
pp. 200-202
The Grand Union: The Presentation of Everyday Life as Dance
pp. 203-218
The Grand Union, Q & A
pp. 219-236
Chronology
pp. 237-244
Selected Bibliography
pp. 245-253
Notes
pp. 254-262
Index
pp. 263-271
| ISBN | 9780819571809 |
|---|---|
| Related ISBN(s) | 9780819561602 |
| MARC Record | Download |
| OCLC | 48139465 |
| Pages | 311 |
| Launched on MUSE | 2012-08-07 |
| Language | English |
| Open Access | No |


