In this Book
summary
During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.
Table of Contents
Title Page, Copyright
Contents
pp. vii-viii
Acknowledgments
pp. ix-x
Introduction: Power to the People!: The Art of Black Power
pp. 1-20
Part I: Cities and Sites
Chapter 1: Black Light on the Wall of Respect: The Chicago Black Arts Movement
pp. 23-42
Chapter 2: Black West, Thoughts on Art in Los Angeles
pp. 43-74
Chapter 3: The Black Arts Movement and Historically Black Colleges and Universities
pp. 75-91
Chapter 4: A Question of Relevancy: New York Museums and the Black Arts Movement, 1968â1971
pp. 92-116
Chapter 5: Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno
pp. 117-134
Part II: Genres and Ideologies
Chapter 6: A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism
pp. 137-153
Chapter 7: Natural Black Beauty and Black Drag
pp. 154-172
Chapter 8: Sexual Subversions, Political Inversions: Womenâs Poetry and the Politics of the Black Arts Movement
pp. 173-186
Chapter 9: Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a âBlack Aestheticâ in Photography
pp. 187-209
Chapter 10: Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement
pp. 210-226
Chapter 11: âIf Bessie Smith Had Killed Some White Peopleâ: Racial Legacies, the Blues Revival, and the Black Arts Movement
pp. 227-252
Part III: Predecessors, Peers, and Legacies
Chapter 12: A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement
pp. 255-272
Chapter 13: The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements
pp. 273-296
Chapter 14: Prison Writers and the Black Arts Movement
pp. 297-316
Chapter 15: âTo Make a Poet Blackâ: Canonizing Puerto Rican Poets in the Black Arts Movement
pp. 317-332
Chapter 16: Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che
pp. 333-348
Chapter 17: Black Arts to Def Jam: Performing Black âSpirit Workâ across Generations
pp. 349-368
Afterword: This Bridge Called âOur Traditionâ: Notes on Blueblack, âRoundâmidnight, Blacklight âConnectionâ
pp. 369-374
Notes on Contributors
pp. 375-378
Index
pp. 379-390
| ISBN | 9780813541075 |
|---|---|
| Related ISBN(s) | 9780813536941 |
| MARC Record | Download |
| OCLC | 77564482 |
| Pages | 406 |
| Launched on MUSE | 2013-01-01 |
| Language | English |
| Open Access | No |


