In this Book
3-D Revolution: The History of Modern Stereoscopic Cinema
In 2009, Avatar, a 3-D movie directed by James Cameron, became the most successful motion picture of all time, a technological breakthrough that has grossed more than $2.5 billion worldwide. Its seamless computer-generated imagery and live action stereo photography effectively defined the importance of 3-D to the future of cinema, as well as all other currently evolving digital displays. Though stereoscopic cinema began in the early nineteenth century and exploded in the 1950s in Hollywood, its present status as an enduring genre was confirmed by Avatar's success. 3-D Revolution: The History of Modern Stereoscopic Cinema traces the rise of modern 3-D technology from Arch Oboler's Bwana Devil (1952), which launched the 50s 3-D boom in Hollywood, to the rapidly-modernizing 3-D industry today. Ray Zone takes a comprehensive approach that not only examines the technology of the films, but also investigates the business, culture, and art of their production. Influencing new generations of filmmakers for decades, the evolution of 3-D cinema technology continues to fill our theaters with summer blockbusters and holiday megahits.
Table of Contents
Front Cover
Frontispiece
Title Page
Copyright Page
Contents
Prologue: The Epochs of 3-D
Part I: The Era of Convergence, 1952â1985
Chapter 1: Bwana Devil
Chapter 2: Dual-Band Cameras
Chapter 3: Converging in Time
Chapter 4: Deep Black and White
Chapter 5: 3-D Filmmakers and the Critics
Chapter 6: Wider, Not Deeper
Chapter 7: Single-Strip 3-D Systems
Chapter 8: The Porno Boys
Chapter 9: 1980s 3-D Films
Chapter 10: 3-D at Home
Part II: The Immersive Age, 1986â2005
Chapter 11: 4-D and the Ride Film
Chapter 12: Creating 3-D for Theme Parks
Chapter 13: The World of IMAX 3-D
Chapter 14: A Large-Format 3-D Jouney
Chapter 15: Stereoscopic Outer Space
Chapter 16: Big-Screen 3-D Dinosaurs
Chapter 17: Large-Format Stereo Conversion
Chapter 18: Speeding into 3-D
Chapter 19: Riding on Digits
Chapter 20: The Polar Express in IMAX 3-D
Part III: Digital 3-D Cinema, 2005-2009
Chapter 21: Two Anaglyph Movies
Chapter 22: Threshold of the Future
Chapter 23: Digital 3-D Cinema Begins
Chapter 24: Meet the Robinsons
Chapter 25: Rebuilding the Z-axis
Chapter 26: Digital Live Action 3-D
Chapter 27: Aliens and Superpowers
Chapter 28: Immersed in Coraline
Chapter 29: Two 3-D FIlms by Robert Zemeckis
Chapter 30: Digital 3-D Horrors
Chapter 31: Perceptual Paradoxes
Chapter 32: Cute and Fuzzy Dinosaurs
Chapter 33: An Interview with Rob Engle
Chapter 34: Brave New 3-D World
Epilogue: Now Is the Time
Acknowledgments
Notes
Index
| ISBN | 9780813136127 |
|---|---|
| Related ISBN(s) | 9780813136110, 9780813140704 |
| MARC Record | Download |
| OCLC | 809317820 |
| Pages | 456 |
| Launched on MUSE | 2012-07-10 |
| Language | English |
| Open Access | No |


