In this Book

summary
Focusing on the changing image of the West Coast through such varied social and cultural artifacts as bodybuilding, group therapy, suicide cults, Marilyn Monroe, milk-carton images of missing children, orgies, Mickey Mouse, zombies, teenage slang, shock therapy, and surf music, The Case of California offers a dizzying psycho-history of the twentieth century as crystallized in the symbolic configuration and “case” of California, which case is articulated in relation to German modernism, National Socialism, and Freudian psychoanalysis. As Laurence Rickels writes, “on the personalizable level or label, California is a death cult; on the social, outward, happy-face level, it distributes pleasure via sadomasochism, the adolescent group, or friendship.” Ultimately, The Case of California excavates the places “California” occupies as concept or placeholder within Freudian psychoanalysis and such systems as the Frankfurt School, East Coast psychoanalysis, and deconstruction. To excavate the full range of “California,” one must apply pressure to a series of adjacent (and often equally marginal or missing) concepts, including group and adolescent psychology, female sexuality, the haunting of music and of mass media at large, the charge of child abuse, and a certain convergence of religious and hysterical conversion.

Table of Contents

Cover

Half Title Page, Copyright, Title Page

Contents

pp. vii-ix

Preface to the Santa Barbara Edition

pp. xi-xiv

Fast Foreword

pp. 15-26

Let the Children Kodak

pp. 27-36

The Disappearance of Childhood Is a Rerun

pp. 37-42

Kalifornien

pp. 43-46

Pact Rats

pp. 47-54

Grin and Bury It

pp. 55-58

Follow the Bouncing Ball

pp. 59-62

The Endopsychic Sensurround

pp. 63-68

The “Uncanned”

pp. 69-75

“Grateful Dead”

pp. 77-80

Mickey Mouse Club

pp. 81-86

S-laughter

pp. 87-91

Body Master Machines

pp. 93-97

Gag Me with a Tune

pp. 99-101

Good Mourning America

pp. 103-109

Cute Buns

pp. 111-114

Boobs Tube

pp. 115-121

TV Führer

pp. 123-129

The Lang Goodbye

pp. 131-134

1936–1958

pp. 135-146

1912/1936

pp. 147-150

They Got Up on the Wrong Side of the Dead

pp. 151-155

Bottom Turns

pp. 157-163

The Casting Couch

pp. 165-168

Is That All There Is?

pp. 169-173

Girl Talk

pp. 175-178

Giving Grief

pp. 179-187

Teen Passion

pp. 189-197

Circle Jerk

pp. 199-203

Tubular

pp. 205-213

Bitch Bunnies

pp. 215-219

Honkies for Jesus

pp. 221-226

But Don’t Forget to Breathe

pp. 227-231

Stoked!

pp. 233-236

Near Miss

pp. 237-238

Shanky Spaz

pp. 239-240

Toxic Shock

pp. 241-244

Double Date

pp. 245-247

Laugh Track

pp. 249-251

The Other Reich

pp. 253-257

Bringing Up Beben

pp. 259-265

Serfs Up

pp. 267-271

Radical Ambivalence

pp. 273-275

Why WE THE PEOPLE Don’t Get Off

pp. 277-279

Eating Bambi

pp. 281-288

Memoirs of a Viennese Whore

pp. 289-292

Our Friend the Atom

pp. 293-298

Invasion of the Body Snatchers

pp. 299-301

Gadget Love

pp. 303-313

ZAP: Depersonalized

pp. 315-317

The Impostor

pp. 319-325

Camp Counselor

pp. 327-330

Go for It

pp. 331-332

California Transplant

pp. 333-335

Electro-Cute

pp. 337-339

Dear Diary

pp. 341-343

Gnarly

pp. 345-349

Split the Scene

pp. 351-357

Smiley

pp. 359-361

Venice Beach

pp. 361-363

Blood Drive

pp. 365-371

California Antibody

pp. 373-377

Ecce Mann

pp. 379-381

Buff

pp. 383-390

And Then He Goes

pp. 391-394

Bibliography

pp. 395-410
Back To Top