In this Book

summary
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events.

Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications.

This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history.

Table of Contents

  1. Cover
  2. restricted access
    • Download PDF Download
    contents
  1. Title Page, Copyright
  2. restricted access
    • Download PDF Download
    contents
  1. CONTENTS
  2. restricted access
    • Download PDF Download
    contents
  1. ACKNOWLEDGMENTS
  2. pp. vii-viii
  3. restricted access
    • Download PDF Download
    contents
  1. A NOTE ON CHINESE NAMES AND OTHER CLARIFICATIONS
  2. pp. ix-x
  3. restricted access
    • Download PDF Download
    contents
  1. INTRODUCTION
  2. pp. xi-xxii
  3. restricted access
    • Download PDF Download
    contents
  1. PART I
  2. pp. 1-2
  1. CHINESE ARCHITECTURE ON THE EVE OF THE BEAUX-ARTS
  2. pp. 3-22
  3. restricted access
    • Download PDF Download
    contents
  1. JUST WHAT WAS BEAUX-ARTS ARCHITECTURAL COMPOSITION?
  2. pp. 23-38
  3. restricted access
    • Download PDF Download
    contents
  1. PART II
  2. pp. 39-40
  1. CONVERGENCE TO INFLUENCE
  2. pp. 41-44
  3. restricted access
    • Download PDF Download
    contents
  1. CHINESE ARCHITECTURE STUDENTS AT THE UNIVERSITY OF PENNSYLVANIA IN THE 1920S
  2. pp. 45-72
  3. restricted access
    • Download PDF Download
    contents
  1. AN OUTLINE OF BEAUX-ARTS EDUCATION IN CHINA
  2. pp. 73-90
  3. restricted access
    • Download PDF Download
    contents
  1. A CLASSICIST ARCHITECTURE FOR UTOPIA
  2. pp. 91-126
  3. restricted access
    • Download PDF Download
    contents
  1. BEAUX-ARTS PRACTICEAND EDUCATION BY CHINESEARCHITECTS IN TAIWAN
  2. pp. 127-144
  3. restricted access
    • Download PDF Download
    contents
  1. PART III
  2. pp. 145-146
  1. INFLUENCE TO PARADIGM
  2. pp. 147-150
  3. restricted access
    • Download PDF Download
    contents
  1. YANG TINGBAO, DONG DAYOU, AND LIANG SICHENG
  2. pp. 151-152
  1. YANG TINGBAO,CHINA’S MODERN ARCHITECTIN THE TWENTIETH CENTURY
  2. pp. 153-168
  3. restricted access
    • Download PDF Download
    contents
  1. BETWEEN BEAUX-ARTS AND MODERNISM
  2. pp. 169-192
  3. restricted access
    • Download PDF Download
    contents
  1. ELEVATION OR FAÇADE
  2. pp. 193-204
  3. restricted access
    • Download PDF Download
    contents
  1. LÜ YANZHI, ZHANG KAIJI, AND ZHANG BO
  2. pp. 205-206
  1. FROM STUDIO TO PRACTICE
  2. pp. 207-222
  3. restricted access
    • Download PDF Download
    contents
  1. RITUAL, ARCHITECTURE, POLITICS, AND PUBLICITY DURING THE REPUBLIC
  2. pp. 223-278
  3. restricted access
    • Download PDF Download
    contents
  1. THE SUN YAT-SEN MEMORIAL AUDITORIUM
  2. pp. 279-300
  3. restricted access
    • Download PDF Download
    contents
  1. ZHANG VS. ZHANG
  2. pp. 301-312
  3. restricted access
    • Download PDF Download
    contents
  1. CHINESE CITIES
  2. pp. 313-314
  1. THE BEAUX-ARTS IN ANOTHER REGISTER
  2. pp. 315-332
  3. restricted access
    • Download PDF Download
    contents
  1. CHINESE URBANISM BEYOND THE BEAUX-ARTS
  2. pp. 333-360
  3. restricted access
    • Download PDF Download
    contents
  1. AFTERWORD
  2. pp. 361-368
  3. restricted access
    • Download PDF Download
    contents
  1. CONTRIBUTORS
  2. pp. 369-372
  3. restricted access
    • Download PDF Download
    contents
  1. INDEX
  2. pp. 373-386
  3. restricted access
    • Download PDF Download
    contents

Additional Information

ISBN
9780824861018
Related ISBN
9780824834562
MARC Record
OCLC
809317391
Launched on MUSE
2012-06-08
Language
English
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.