In this Book

summary
Poet, novelist, translator, scholar, and critical essayist extraordinaire, Ammiel Alcalay’s intrepid work has always moved across geographic, chronological, political, and linguistic borders. “FOLLOW THE PERSON”: Archival Encounters gathers a dizzying array of texts by Alcalay written over the past fifteen years, all of them having something to do with archival materials. In Alcalay’s case, however, these archives range from more traditional, institutionally-held materials and personal collections to the use of his own experiences and memories as sources for redrawing cultural maps that have too long been divided along sectarian lines of one kind or another. Moving from the Beats and the Black Arts Movement to the Middle East, “FOLLOW THE PERSON” recalibrates our sense of living history while offering new possibilities for encounters that have been relegated to oblivion or never even imagined. Culled from a variety of eclectic sources and contexts, encountering these essays together offers a completely different experience of Alcalay’s essays, one that argues for a methodology based on minutely recorded events and historical contexts, and for necessary human and cultural encounters that provide models for a new, reinvigorated critical vocabulary. As Miriam Nichols writes in her Introduction, “Follow the tenuous threads in this collection of writings and you may end up at the looted National Museum in Baghdad during the American invasion, or in the Hoover Institute at Stanford University where most Iraqi state archives wound up. You may find yourself at Bashcharshiya, the market in Sarajevo during the Bosnian war, or in Palestine, on May 14, 1948. Maybe, if you are keen, you will pick up the thread that leads to 17th-century colonial Massachusetts, or perhaps you will stay in New York, rummaging through garbage cans with Diane di Prima, looking for journals and letters tossed out by a lover.” Whichever path you take, you will find multiple worlds, all rendered by Alcalay with light and compassion.

Table of Contents

Cover Page

Half-Title Page, Copyright Page, Title Page

Table of Contents

Introduction by Miriam Nichols

pp. 13-30

Manifesto

pp. 31-34

I. The Ground

“Let me show you something”

pp. 35-50

“What I Found Out”

pp. 51-56

Relieving the National Debt: W.D. Ehrhart & the Wages of Memory

pp. 57-70

“The Body is a House”

pp. 71-82

II. Out of the Scholols and Into the Archives

Interview with David Hadbawnik

pp. 83-98

Peter Anastas: A Walker in the City

pp. 99-104

“Out of the Schools and into the Archives”

pp. 105-110

On Robert Creeley’s “Contexts of Poetry”

pp. 111-116

On Diane di Prima’s R.D.’s H.D.

pp. 117-126

Confluences

pp. 127-138

“the whole thing has no meaning if it is not signed”

pp. 139-144

Letters to & from Joanne Kyger

pp. 145-150

“Querido Pablito”/“Julissimo querido”:Paul Blackburn & Julio Cortázar’s Selected Correspondence, 1958–1971

pp. 151-168

Of Suckers and Gulls

pp. 169-174

Vincent Ferrini: Before Gloucester

pp. 175-196

Rimbaud via Rukeyser: An Editorial Note

pp. 197-204

You Don’t Know Jack: On Jack Kerouac

pp. 205-208

Introduction for Amiri Baraka’s Olson Lecture

pp. 209-214

On Amiri Baraka: An Interview with Özge Özbek

pp. 215-224

For Jimmie Durham, Poet

pp. 225-228

Getting Out of the Western Box: Dennis Tedlock’s The Olson Codex

pp. 229-232

Digging Our Way through the Data Midden

pp. 233-240

An Interview with Marwa Helal

pp. 241-252

III. In Friendship

“a dance of freedom” / In the Worlds of Etel Adnan

pp. 253-270

In Friendship, for John Wieners

pp. 271-276

Still Standing, for Gil Sorrentino

pp. 277-288

In & Out of Place: Memories of Nissim Rejwan, Shimon Ballas, and Samir Naqqash

pp. 289-294

From the Citadel: “I must have been an Arab once…”

pp. 295-310

CODA: Following the Person

pp. 311-318

Bibliography

pp. 319-331
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