In this Book
The University of Akron Press
A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry
Book
2012
Published by:
The University of Akron Press
summary
The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is not only a dramatic and creative moment, but also a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, both historically as well as in the modern poetic landscape, there are no anthologies currently in existence that collect and celebrate the diverse writers who work in this mode today-or the divergent voices and characters they create. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately 200 persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, newspaper clippings, legends, fairy tales, and comic books, to name just a few, and their diversity is reflective of the wide range of authors working in this genre. The anthology will also contain brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.
Table of Contents
Cover
Title Page, Copyright Page
Contents
Introduction
pp. 1-6
That Was Then
pp. 7-8
Aubuchon Creek
pp. 9-10
Calamity Jane Informs Wild Bill of His Faultswhile Visiting His Grave
pp. 11-12
Constantinople, Plague Summer
pp. 13-13
Courting Mary Ann Cotton
pp. 14-14
Dr. Balmis
pp. 15-16
Drifting towards the bottom,Jacques Piccard recalls the sky
pp. 17-18
Elvie Comes Home to Rosetta
pp. 19-19
The Empress Dreams after a Poisoned Meal
pp. 20-20
Extant Diary of Amanda Elizabeth McKenzy
pp. 21-24
Galileo to Maria Celeste
pp. 25-26
The Given Account
pp. 27-28
A Great Physicist Recalls the Manhattan Project
pp. 29-30
The Hangman Recalls a Dream to His Son, Abbot
pp. 31-31
Here You Are
pp. 32-32
History
pp. 33-34
I am the Real Jesse James
pp. 35-38
Ishi Speaks
pp. 39-40
from The Lost Letters of Frederick Douglass
pp. 41-43
Manatee
pp. 44-45
A Medium Rehearses the Square Order Shuffle
pp. 46-46
Memory
pp. 47-47
Nadya to Stalin, 1925
pp. 48-49
The Naming of Peru
pp. 50-50
Notes from a Sodbusterâs Wife, Kansas, 1868
pp. 51-52
Oswald, to His Father
pp. 53-54
Rachel Carson
pp. 55-55
Reputation
pp. 56-56
The Resurrectionistâs Wife
pp. 57-57
Robert Oppenheimer Near Los Alamos, October 1945
pp. 58-58
Submariner
pp. 59-60
War Wives at Tea Talk
pp. 61-61
Whaling Wives: Desire Hathaway (2)
pp. 62-63
The Woods Behind General Walkerâs House
pp. 64-64
Releasing the Kraken
pp. 65-66
. . . and her severed head said to Perseus,
pp. 67-69
Arachne
pp. 70-70
Aunt Eloe Schools the Scarecrow
pp. 71-71
The Calypso Diaries
pp. 72-75
The Carriers
pp. 76-77
The Chimera Faces Extinction, Displacement
pp. 78-78
Coma Berenices
pp. 79-79
Hecuba
pp. 80-80
Icarus / Sinking
pp. 81-81
I Live on Milk Street
pp. 82-83
Ledaâs Flashback
pp. 84-85
Lotus-Eaterâs Wife
pp. 86-86
Medusa and Neptune
pp. 87-88
My Life as a Woman
pp. 89-90
Odysseus, on the Eve of Departure,Prepares His Wife
pp. 91-91
Penelope Blows Smoke Rings
pp. 92-93
Psyche
pp. 94-94
Still Bound
pp. 95-95
âWhat she could do, Medea did . . .â
pp. 96-96
The Wife of Sisyphus
pp. 97-98
Fifteen Easy Minutes
pp. 99-100
After Oz
pp. 101-101
Annaâs Ghost: (Prologue)
pp. 102-102
Beetle Bailey Goes Home
pp. 103-103
Bill Monroe
pp. 104-104
Cammi Granato, Age Five: âI Hate Dorothy Hamillâ
pp. 105-105
Crossing the Street, Valentineâs Day
pp. 106-107
Go Somewhere with Me
pp. 108-108
How She Didnât Say It
pp. 109-109
Hulk Smash!
pp. 110-110
I am the Immaculate Conception
pp. 111-112
In the Unlikely Event of a Water Landing
pp. 113-114
Jack Benny Plays the Carousel Club
pp. 115-117
Katie Smith Says, âA Womanâs Body is a Battleground. I Should Know.â
pp. 118-119
Leaving Saturn
pp. 120-122
Like This
pp. 123-124
Man on Extremely Small Island
pp. 125-126
(Moan): Robert McFerrin, Sr.
pp. 127-128
The Monsterâs Bride Questions the Motives of Her Creator
pp. 129-130
My Kitchen
pp. 131-132
My Life as Orson Welles
pp. 133-134
Notes in the Margins of King Kong (1933) III: Weâll be millionaires!
pp. 135-135
Ornette Colemanâs Out-of-Office Reply
pp. 136-139
Sarah Bernhardt Plays Hamlet
pp. 140-141
Setsuko Hara
pp. 142-144
Today on Maury
pp. 145-146
Track 4: Reflections
pp. 147-147
Violin (Larry Fine)
pp. 148-149
the vodka to Miss USA Tara Conner
pp. 150-152
It Kept on Burning
pp. 153-154
Ajal
pp. 155-155
All the Trees of the Field Shall Clap Their Hands
pp. 156-156
Ballad of Greg Withrow
pp. 157-160
Bring the Rain
pp. 161-162
Bronze Age
pp. 163-164
Chinâs Monologue in the Bucket
pp. 165-165
Chorus of X, the Rescuersâ Mark
pp. 166-167
Dear Laramie, Dear Liar, Dear Once Upon a Time
pp. 168-168
Elizabeth at Seabrook
pp. 169-170
Emmett Tillâs Glass-Top Casket
pp. 171-171
fodderhouse
pp. 172-172
Forget
pp. 173-175
Forneus
pp. 176-177
George Wallace at the Crossroads
pp. 178-178
Gila
pp. 179-180
Installation / Occupation
pp. 181-182
Listen
pp. 183-183
Liu Minghe Speaks
pp. 184-185
Memory
pp. 186-186
My Brother Jay, A Trilogy
pp. 187-190
A Note Found in the Tomb of Tutankhamen
pp. 191-192
Rosemary Talking Belfast, 1975
pp. 193-194
Skinhead
pp. 195-197
Spring Reply to Internment Camp, Location Unknown
pp. 198-199
The Venerable Fisherman Speaks Again of His Days
pp. 200-202
As It Was Written
pp. 203-204
The Apostleâs Wife
pp. 205-205
Black Jesus Speaks to the Cosmetic Counter Salesgirl at the Mall of Asia
pp. 206-206
Daniel Addresses the Soothsayer Society
pp. 207-208
From the Book of Ten Instructions
pp. 209-209
His Cassandra
pp. 210-210
It Didnât Happen That Way
pp. 211-212
Jezebel Remembering
pp. 213-213
Lordâs Own Anointed
pp. 214-215
Naâamah
pp. 216-216
Punishment
pp. 217-218
Put Me Back, Jesus (from Lazarus)
pp. 219-219
Rebecca to Isaac
pp. 220-221
Salome Gives Seven Explanations for a Kiss
pp. 222-223
Sarahâs Story
pp. 224-225
The Sin-Eater
pp. 226-226
Sister Lost
pp. 227-230
After Happily Ever After: Fairy Tales, Creatures, and Other Imaginings
pp. 231-232
Dido to the Little Match Girl
pp. 233-233
Gretel in the Tunnel
pp. 234-234
Mermaid
pp. 235-237
Pinocchioâs Elegy for the Unreal
pp. 238-239
The Tale of the Dead Princess
pp. 240-241
Thaw
pp. 242-243
To the Stockyard Bulls
pp. 244-244
The Watchtower
pp. 245-246
The Werewolf of Green Knolls
pp. 247-250
The Werewolves
pp. 251-251
When Red Becomes the Wolf
pp. 252-252
From the Page to the Pen: Authors, Their Characters, and Everything in Between
pp. 253-254
Case History: Frankensteinâs Lesions
pp. 255-258
Confessions of an Invisible Man
pp. 259-259
Copyright
pp. 260-260
Elizabeth Barrett Browning Speaks of Spirits
pp. 261-261
A Foot, A Poem
pp. 262-262
Hamlet Beside the Stream
pp. 263-263
House of Galicia
pp. 264-268
If Robinson Came from the Heartland
pp. 269-270
In the fever-world, my dearest
pp. 271-271
The Kama Sutraâs Banished Illustrator
pp. 272-272
Letter from Zelda
pp. 273-273
Li Po Of Course Drinking
pp. 274-274
Love Letter to Hans Christian Andersen
pp. 275-275
Love Song of Fergus
pp. 276-277
Marcel at the Station House
pp. 278-280
Maudie Defends Her Spinsterhood
pp. 281-281
Excerpt from âMusica Humanaâ
pp. 282-284
Nabokov, Naming the Animals
pp. 285-286
Ophelia Drowning
pp. 287-287
Paul Dâs Haiku for Sethe
pp. 288-288
Poisonous Persona
pp. 289-289
Robert Frost, The Derry Farm, New Hampshire, 1906
pp. 290-291
Sebastianâs Arrows:Lorcaâs Last Letter to DalÃ, August 20, 1936
pp. 292-292
Speaking as the Male Poet
pp. 293-293
Walt Whitman Sings Happy Birthday to Himself
pp. 294-294
The Wind Over Pasternakâs Square
pp. 295-296
The Muse Talks Back: Artists and Their Subjects
pp. 297-298
Agitation
pp. 299-299
Baedeker for a Life Cut with Danger
pp. 300-301
Beethovenâs Maid Writes a Letter to Her Mother
pp. 302-302
Coy Mistress
pp. 303-303
Diego is Painted by D. H. Lawrence in the Desert
pp. 304-306
Fernande Olivier: Woman Sleeping, 1904
pp. 307-309
Frida Kahlo Speaks:
pp. 310-310
Josie Bliss, October 1971
pp. 311-314
Marc Chagall: Blue Violinist, 1946
pp. 315-316
On Sketching Pippa Passingthe Loose Women (1855)
pp. 317-317
Picassoâs Heart
pp. 318-321
Seven Studies for a Self-Portrait
pp. 322-325
Steady, My Gaze
pp. 326-326
Not the Poet, Not Me: The Other Faces That You Meet
pp. 327-328
All My Wives
pp. 329-330
Anthropologist Dreams
pp. 331-332
Aunt Rose Baptizes the Greens
pp. 333-333
Autumn Somewhere
pp. 334-335
billy they donât like you to be so free
pp. 336-337
Clairvoyant
pp. 338-338
âCleanâ
pp. 339-339
Corpus
pp. 340-340
Doomsayer
pp. 341-341
Dwarf with Bottle
pp. 342-342
Etude
pp. 343-343
The Facial Reconstructionist has Cocktails with the Girls
pp. 344-344
The Gospel According to Lucas
pp. 345-345
Graciela and the Song of One Hundred Names
pp. 346-347
Granola Jones Cooks for the Potluck
pp. 348-349
Her Head Bowed
pp. 350-350
Holes
pp. 351-351
Homewrecker
pp. 352-353
Ice Jesus
pp. 354-355
The Jerk
pp. 356-357
Letter after Dismemberment
pp. 358-359
Lexicons
pp. 360-360
The Magicianâs Assistant
pp. 361-362
Melvinâs Story
pp. 363-363
My Name is Quinn Margaret
pp. 364-365
Necessary Knives
pp. 366-366
Our Chef is Delicious
pp. 367-368
Parable: A Training Exercise
pp. 369-369
Something Might Be Gaining on You
pp. 370-370
The Tilted Knot
pp. 371-371
Waiting
pp. 372-373
What Happened at Work
pp. 374-376
Contextual Notes
pp. 377-379
Contributors
pp. 400-421
Credits
pp. 422-430
Index
pp. 431-440
| ISBN | 9781937378288 |
|---|---|
| Related ISBN(s) | 9781937378127 |
| MARC Record | Download |
| OCLC | 830023720 |
| Launched on MUSE | 2012-07-25 |
| Language | English |
| Open Access | No |


