In this Book

The University of Akron Press

A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry

Book
edited by Stacey Lynn Brown and Oliver de la Paz
2012
buy this book Buy This Book in Print
summary
The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is not only a dramatic and creative moment, but also a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, both historically as well as in the modern poetic landscape, there are no anthologies currently in existence that collect and celebrate the diverse writers who work in this mode today-or the divergent voices and characters they create. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately 200 persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, newspaper clippings, legends, fairy tales, and comic books, to name just a few, and their diversity is reflective of the wide range of authors working in this genre. The anthology will also contain brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.

Table of Contents

Cover

Title Page, Copyright Page

Contents

Introduction

pp. 1-6

That Was Then

pp. 7-8

Aubuchon Creek

pp. 9-10

Calamity Jane Informs Wild Bill of His Faultswhile Visiting His Grave

pp. 11-12

Constantinople, Plague Summer

pp. 13-13

Courting Mary Ann Cotton

pp. 14-14

Dr. Balmis

pp. 15-16

Drifting towards the bottom,Jacques Piccard recalls the sky

pp. 17-18

Elvie Comes Home to Rosetta

pp. 19-19

The Empress Dreams after a Poisoned Meal

pp. 20-20

Extant Diary of Amanda Elizabeth McKenzy

pp. 21-24

Galileo to Maria Celeste

pp. 25-26

The Given Account

pp. 27-28

A Great Physicist Recalls the Manhattan Project

pp. 29-30

The Hangman Recalls a Dream to His Son, Abbot

pp. 31-31

Here You Are

pp. 32-32

History

pp. 33-34

I am the Real Jesse James

pp. 35-38

Ishi Speaks

pp. 39-40

from The Lost Letters of Frederick Douglass

pp. 41-43

Manatee

pp. 44-45

A Medium Rehearses the Square Order Shuffle

pp. 46-46

Memory

pp. 47-47

Nadya to Stalin, 1925

pp. 48-49

The Naming of Peru

pp. 50-50

Notes from a Sodbuster’s Wife, Kansas, 1868

pp. 51-52

Oswald, to His Father

pp. 53-54

Rachel Carson

pp. 55-55

Reputation

pp. 56-56

The Resurrectionist’s Wife

pp. 57-57

Robert Oppenheimer Near Los Alamos, October 1945

pp. 58-58

Submariner

pp. 59-60

War Wives at Tea Talk

pp. 61-61

Whaling Wives: Desire Hathaway (2)

pp. 62-63

The Woods Behind General Walker’s House

pp. 64-64

Releasing the Kraken

pp. 65-66

. . . and her severed head said to Perseus,

pp. 67-69

Arachne

pp. 70-70

Aunt Eloe Schools the Scarecrow

pp. 71-71

The Calypso Diaries

pp. 72-75

The Carriers

pp. 76-77

The Chimera Faces Extinction, Displacement

pp. 78-78

Coma Berenices

pp. 79-79

Hecuba

pp. 80-80

Icarus / Sinking

pp. 81-81

I Live on Milk Street

pp. 82-83

Leda’s Flashback

pp. 84-85

Lotus-Eater’s Wife

pp. 86-86

Medusa and Neptune

pp. 87-88

My Life as a Woman

pp. 89-90

Odysseus, on the Eve of Departure,Prepares His Wife

pp. 91-91

Penelope Blows Smoke Rings

pp. 92-93

Psyche

pp. 94-94

Still Bound

pp. 95-95

“What she could do, Medea did . . .”

pp. 96-96

The Wife of Sisyphus

pp. 97-98

Fifteen Easy Minutes

pp. 99-100

After Oz

pp. 101-101

Anna’s Ghost: (Prologue)

pp. 102-102

Beetle Bailey Goes Home

pp. 103-103

Bill Monroe

pp. 104-104

Cammi Granato, Age Five: “I Hate Dorothy Hamill”

pp. 105-105

Crossing the Street, Valentine’s Day

pp. 106-107

Go Somewhere with Me

pp. 108-108

How She Didn’t Say It

pp. 109-109

Hulk Smash!

pp. 110-110

I am the Immaculate Conception

pp. 111-112

In the Unlikely Event of a Water Landing

pp. 113-114

Jack Benny Plays the Carousel Club

pp. 115-117

Katie Smith Says, “A Woman’s Body is a Battleground. I Should Know.”

pp. 118-119

Leaving Saturn

pp. 120-122

Like This

pp. 123-124

Man on Extremely Small Island

pp. 125-126

(Moan): Robert McFerrin, Sr.

pp. 127-128

The Monster’s Bride Questions the Motives of Her Creator

pp. 129-130

My Kitchen

pp. 131-132

My Life as Orson Welles

pp. 133-134

Notes in the Margins of King Kong (1933) III: We’ll be millionaires!

pp. 135-135

Ornette Coleman’s Out-of-Office Reply

pp. 136-139

Sarah Bernhardt Plays Hamlet

pp. 140-141

Setsuko Hara

pp. 142-144

Today on Maury

pp. 145-146

Track 4: Reflections

pp. 147-147

Violin (Larry Fine)

pp. 148-149

the vodka to Miss USA Tara Conner

pp. 150-152

It Kept on Burning

pp. 153-154

Ajal

pp. 155-155

All the Trees of the Field Shall Clap Their Hands

pp. 156-156

Ballad of Greg Withrow

pp. 157-160

Bring the Rain

pp. 161-162

Bronze Age

pp. 163-164

Chin’s Monologue in the Bucket

pp. 165-165

Chorus of X, the Rescuers’ Mark

pp. 166-167

Dear Laramie, Dear Liar, Dear Once Upon a Time

pp. 168-168

Elizabeth at Seabrook

pp. 169-170

Emmett Till’s Glass-Top Casket

pp. 171-171

fodderhouse

pp. 172-172

Forget

pp. 173-175

Forneus

pp. 176-177

George Wallace at the Crossroads

pp. 178-178

Gila

pp. 179-180

Installation / Occupation

pp. 181-182

Listen

pp. 183-183

Liu Minghe Speaks

pp. 184-185

Memory

pp. 186-186

My Brother Jay, A Trilogy

pp. 187-190

A Note Found in the Tomb of Tutankhamen

pp. 191-192

Rosemary Talking Belfast, 1975

pp. 193-194

Skinhead

pp. 195-197

Spring Reply to Internment Camp, Location Unknown

pp. 198-199

The Venerable Fisherman Speaks Again of His Days

pp. 200-202

As It Was Written

pp. 203-204

The Apostle’s Wife

pp. 205-205

Black Jesus Speaks to the Cosmetic Counter Salesgirl at the Mall of Asia

pp. 206-206

Daniel Addresses the Soothsayer Society

pp. 207-208

From the Book of Ten Instructions

pp. 209-209

His Cassandra

pp. 210-210

It Didn’t Happen That Way

pp. 211-212

Jezebel Remembering

pp. 213-213

Lord’s Own Anointed

pp. 214-215

Na’amah

pp. 216-216

Punishment

pp. 217-218

Put Me Back, Jesus (from Lazarus)

pp. 219-219

Rebecca to Isaac

pp. 220-221

Salome Gives Seven Explanations for a Kiss

pp. 222-223

Sarah’s Story

pp. 224-225

The Sin-Eater

pp. 226-226

Sister Lost

pp. 227-230

After Happily Ever After: Fairy Tales, Creatures, and Other Imaginings

pp. 231-232

Dido to the Little Match Girl

pp. 233-233

Gretel in the Tunnel

pp. 234-234

Mermaid

pp. 235-237

Pinocchio’s Elegy for the Unreal

pp. 238-239

The Tale of the Dead Princess

pp. 240-241

Thaw

pp. 242-243

To the Stockyard Bulls

pp. 244-244

The Watchtower

pp. 245-246

The Werewolf of Green Knolls

pp. 247-250

The Werewolves

pp. 251-251

When Red Becomes the Wolf

pp. 252-252

From the Page to the Pen: Authors, Their Characters, and Everything in Between

pp. 253-254

Case History: Frankenstein’s Lesions

pp. 255-258

Confessions of an Invisible Man

pp. 259-259

Copyright

pp. 260-260

Elizabeth Barrett Browning Speaks of Spirits

pp. 261-261

A Foot, A Poem

pp. 262-262

Hamlet Beside the Stream

pp. 263-263

House of Galicia

pp. 264-268

If Robinson Came from the Heartland

pp. 269-270

In the fever-world, my dearest

pp. 271-271

The Kama Sutra’s Banished Illustrator

pp. 272-272

Letter from Zelda

pp. 273-273

Li Po Of Course Drinking

pp. 274-274

Love Letter to Hans Christian Andersen

pp. 275-275

Love Song of Fergus

pp. 276-277

Marcel at the Station House

pp. 278-280

Maudie Defends Her Spinsterhood

pp. 281-281

Excerpt from “Musica Humana”

pp. 282-284

Nabokov, Naming the Animals

pp. 285-286

Ophelia Drowning

pp. 287-287

Paul D’s Haiku for Sethe

pp. 288-288

Poisonous Persona

pp. 289-289

Robert Frost, The Derry Farm, New Hampshire, 1906

pp. 290-291

Sebastian’s Arrows:Lorca’s Last Letter to Dalí, August 20, 1936

pp. 292-292

Speaking as the Male Poet

pp. 293-293

Walt Whitman Sings Happy Birthday to Himself

pp. 294-294

The Wind Over Pasternak’s Square

pp. 295-296

The Muse Talks Back: Artists and Their Subjects

pp. 297-298

Agitation

pp. 299-299

Baedeker for a Life Cut with Danger

pp. 300-301

Beethoven’s Maid Writes a Letter to Her Mother

pp. 302-302

Coy Mistress

pp. 303-303

Diego is Painted by D. H. Lawrence in the Desert

pp. 304-306

Fernande Olivier: Woman Sleeping, 1904

pp. 307-309

Frida Kahlo Speaks:

pp. 310-310

Josie Bliss, October 1971

pp. 311-314

Marc Chagall: Blue Violinist, 1946

pp. 315-316

On Sketching Pippa Passingthe Loose Women (1855)

pp. 317-317

Picasso’s Heart

pp. 318-321

Seven Studies for a Self-Portrait

pp. 322-325

Steady, My Gaze

pp. 326-326

Not the Poet, Not Me: The Other Faces That You Meet

pp. 327-328

All My Wives

pp. 329-330

Anthropologist Dreams

pp. 331-332

Aunt Rose Baptizes the Greens

pp. 333-333

Autumn Somewhere

pp. 334-335

billy they don’t like you to be so free

pp. 336-337

Clairvoyant

pp. 338-338

—Clean—

pp. 339-339

Corpus

pp. 340-340

Doomsayer

pp. 341-341

Dwarf with Bottle

pp. 342-342

Etude

pp. 343-343

The Facial Reconstructionist has Cocktails with the Girls

pp. 344-344

The Gospel According to Lucas

pp. 345-345

Graciela and the Song of One Hundred Names

pp. 346-347

Granola Jones Cooks for the Potluck

pp. 348-349

Her Head Bowed

pp. 350-350

Holes

pp. 351-351

Homewrecker

pp. 352-353

Ice Jesus

pp. 354-355

The Jerk

pp. 356-357

Letter after Dismemberment

pp. 358-359

Lexicons

pp. 360-360

The Magician’s Assistant

pp. 361-362

Melvin’s Story

pp. 363-363

My Name is Quinn Margaret

pp. 364-365

Necessary Knives

pp. 366-366

Our Chef is Delicious

pp. 367-368

Parable: A Training Exercise

pp. 369-369

Something Might Be Gaining on You

pp. 370-370

The Tilted Knot

pp. 371-371

Waiting

pp. 372-373

What Happened at Work

pp. 374-376

Contextual Notes

pp. 377-379

Contributors

pp. 400-421

Credits

pp. 422-430

Index

pp. 431-440
Back To Top