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“Among other things, Shepherd has always been an elemental poet. His work abounds with the imagery and motifs of water and fire, and while those elements are important here, it is air and earth that are the more dominant elements in this collection. . . .

Clay, red clay in particular, recurs several times throughout the collection as a motif of earth. It is the substance of creation, but always of impermanent things, whether heroes or Babylonian statues with feet of clay, or of things durable but fragile, such as the cuneiform tablets of ‘A Parking Lot Just Outside the Ruins of Babylon.’”
—Robert Philen, from the Foreword

Table of Contents

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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. v-viii
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  1. Foreword
  2. pp. ix-xiv
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  1. I
  2. p. 1
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  1. Days like Survival
  2. p. 3
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  1. By the Entrance to Cordova Mall, I Sat Down and Wept
  2. p. 4
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  1. And Therefore I Have Sailed the Seas and Come
  2. p. 5
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  1. As If from the Dead
  2. p. 6
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  1. Attempted Birdcage Number Three
  2. p. 7
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  1. To Be Free
  2. p. 8
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  1. The New Life
  2. p. 9
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  1. Direction of Fall
  2. p. 10
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  1. My Mother Was No White Dove
  2. p. 11
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  1. E Lucevan le Stelle
  2. pp. 12-13
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  1. Experiment V
  2. p. 14
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  1. In the Badlands
  2. p. 15
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  1. Water Is a Museum
  2. pp. 16-17
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  1. Doppelganger Music
  2. pp. 18-19
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  1. A Shoulder to the Wheel
  2. pp. 20-21
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  1. In Bloom
  2. p. 22
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  1. Along with Whatever Has Not Yet Been Named
  2. p. 23
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  1. To Summon Up a Son
  2. p. 24
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  1. Given Distance,
  2. pp. 25-26
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  1. What Nature Doesn’t Show
  2. p. 27
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  1. Wrote for Luck
  2. pp. 28-29
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  1. My Mother Dated Otis Redding
  2. p. 30
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  1. Flying
  2. pp. 31-32
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  1. Falling
  2. pp. 33-34
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  1. Some Dreams He Forgot
  2. pp. 35-40
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  1. II
  2. pp. 41-42
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  1. Dead Boys Club
  2. pp. 43-44
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  1. My Father by the Sea, Supposedly
  2. p. 45
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  1. A Little Iliad
  2. pp. 46-47
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  1. Scraps of an Achilles
  2. p. 48
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  1. On Heroes and Hero Worship
  2. p. 49
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  1. Play Dead
  2. p. 50
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  1. My Immortal
  2. pp. 51-52
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  1. Somewhere Off the Coast of Cyprus
  2. p. 53
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  1. The New Gods
  2. p. 54
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  1. If Orpheus Were Honest with Her
  2. p. 55
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  1. Silent Film, Sound of Glass
  2. p. 56
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  1. Modernism
  2. p. 57
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  1. And This She Knows
  2. pp. 58-59
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  1. A Man Named Property
  2. pp. 60-61
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  1. Natural Selection
  2. p. 62
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  1. Once Thought to Have Been Destroyed
  2. p. 63
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  1. The Shallows
  2. pp. 64-65
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  1. What It Is to Burn
  2. p. 66
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  1. I’ve Known the Garden
  2. p. 67
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  1. Next Year in Gomorrah
  2. pp. 68-70
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  1. A Parking Lot Just Outside the Ruins of Babylon
  2. p. 71
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  1. Alongside the Desiring Machines
  2. p. 72
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  1. Approximately Nothing
  2. p. 73
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  1. Kings Go Forth
  2. p. 74
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  1. Seize the Day
  2. pp. 75-76
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  1. September Songs
  2. pp. 77-78
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  1. Song of the Yet-to-Be-Decided
  2. p. 79
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  1. Soon
  2. p. 80
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  1. Narcissus Before the Rain
  2. p. 81
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  1. Lincoln Park Apocrypha
  2. pp. 82-83
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  1. “God-With-Us”
  2. pp. 84-86
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  1. Acknowledgments
  2. pp. 87-88
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