In this Book
Teaching and Transformation in Popular Confucian Literature of the Late Qing
Book
2025
Published by:
University of Michigan Press
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
summary
The Taiping Civil War (1851–1864) was one of the most destructive wars in Chinese history, with the death toll estimated between twenty and thirty million. What visions did survivors have for restoring their fractured society once the war ended? Katherine L. Alexander’s Teaching and Transformation in Popular Confucian Literature of the Late Qing approaches these questions through literature by examining the works of evangelical Confucian teacher Yu Zhi (1809-1874), who gave a voice to the zealous side of conservative Confucian reform efforts before, during, and after the Taiping War. His works offer radical visions of a world that could be restored through collective effort and goodness, while also revealing the shifting nature of power and the cracks in Qing society.
Yu’s works complicate the picture of socio-moral reform, particularly the Confucian mission of jiaohua (teaching and transformation). Though he viewed the disasters of the late Qing as the natural consequence of jiaohua’s failure to compete against socially disruptive media, such as vernacular fiction and theatrical productions, he also wanted reformers to engage closely with these genres. Yu became a vocal advocate of teaching with moral vernacular literature that he believed met commoners at their level. He emphasized the hope that by writing, printing, and performing such texts, every member of his audience could be transformed into teachers themselves, restoring society from the bottom up.
Yu’s works complicate the picture of socio-moral reform, particularly the Confucian mission of jiaohua (teaching and transformation). Though he viewed the disasters of the late Qing as the natural consequence of jiaohua’s failure to compete against socially disruptive media, such as vernacular fiction and theatrical productions, he also wanted reformers to engage closely with these genres. Yu became a vocal advocate of teaching with moral vernacular literature that he believed met commoners at their level. He emphasized the hope that by writing, printing, and performing such texts, every member of his audience could be transformed into teachers themselves, restoring society from the bottom up.
Table of Contents
Cover
pp. 1-2
Half Title
pp. 3
Title Page
pp. 4
Copyright Page
pp. 5-6
Dedication
pp. 7
Contents
pp. 8-9
Illustrations
pp. 10-11
Acknowledgments
pp. 12-15
Conventions
pp. 16
Introduction
pp. 17-62
Chapter 1. Confucian Censorship and the Appropriation of Vernacular Literature
pp. 63-109
Chapter 2. Transformative Teaching and the Power of Morality Textbooks
pp. 110-149
Chapter 3. Salvation from Disaster via Print and Performance
pp. 150-200
Chapter 4. Domesticity and Redemption
pp. 201-259
Chapter 5. Female Audiences, Popular Morality Literature, and the Pitfalls of Incomprehension
pp. 260-303
Conclusion
pp. 304-335
Footnotes
pp. 336-390
Bibliography
pp. 391-408
Index
pp. 409-420
| ISBN | 9780472905140 |
|---|---|
| Related ISBN(s) | 9780472057580, 9780472077588 |
| MARC Record | Download |
| OCLC | 1513113078 |
| Launched on MUSE | 2025-12-07 |
| Language | English |
| Open Access | Yes |
| Creative Commons | CC-BY-NC |
Copyright
2025



