In this Book

Teaching and Transformation in Popular Confucian Literature of the Late Qing

Book
Katherine L. Alexander
2025
summary
The Taiping Civil War (1851–1864) was one of the most destructive wars in Chinese history, with the death toll estimated between twenty and thirty million. What visions did survivors have for restoring their fractured society once the war ended? Katherine L. Alexander’s Teaching and Transformation in Popular Confucian Literature of the Late Qing approaches these questions through literature by examining the works of evangelical Confucian teacher Yu Zhi (1809-1874), who gave a voice to the zealous side of conservative Confucian reform efforts before, during, and after the Taiping War. His works offer radical visions of a world that could be restored through collective effort and goodness, while also revealing the shifting nature of power and the cracks in Qing society.

Yu’s works complicate the picture of socio-moral reform, particularly the Confucian mission of jiaohua (teaching and transformation). Though he viewed the disasters of the late Qing as the natural consequence of jiaohua’s failure to compete against socially disruptive media, such as vernacular fiction and theatrical productions, he also wanted reformers to engage closely with these genres. Yu became a vocal advocate of teaching with moral vernacular literature that he believed met commoners at their level. He emphasized the hope that by writing, printing, and performing such texts, every member of his audience could be transformed into teachers themselves, restoring society from the bottom up.

Table of Contents

Cover

pp. 1-2

Half Title

pp. 3

Title Page

pp. 4

Copyright Page

pp. 5-6

Dedication

pp. 7

Contents

pp. 8-9

Illustrations

pp. 10-11

Acknowledgments

pp. 12-15

Conventions

pp. 16

Introduction

pp. 17-62

Chapter 1. Confucian Censorship and the Appropriation of Vernacular Literature

pp. 63-109

Chapter 2. Transformative Teaching and the Power of Morality Textbooks

pp. 110-149

Chapter 3. Salvation from Disaster via Print and Performance

pp. 150-200

Chapter 4. Domesticity and Redemption

pp. 201-259

Chapter 5. Female Audiences, Popular Morality Literature, and the Pitfalls of Incomprehension

pp. 260-303

Conclusion

pp. 304-335

Footnotes

pp. 336-390

Bibliography

pp. 391-408

Index

pp. 409-420
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