In this Book

London Exile: Metropolis, Modernity, and Artistic Migration

Book
2025
summary

A new approach to modern art shaped by exile and migration.

In the 1930s and 1940s, London was a metropolis of artistic exile and a place of refuge from Nazi persecution. London Exile is the first book to look at the British capital as a sanctuary for modern artists. The city presented its new arrivals with opportunities and challenges: exiles established galleries, founded publishing houses and magazines, collaborated with local artists, organised exhibitions, published their work, and built networks. Artistic and theoretical production flourished in close dialogue with urban space.

This volume sheds light on how the arrival of exiles transformed London’s art scene and, conversely, how the experience of displacement and the city shaped the work of émigrés in fields such as art, architecture, and photography. London Exile brings art history, urban studies, and exile studies into a vibrant dialogue and contributes to a new understanding of the history of modern art.

Table of Contents

Cover

Half Title Page, Title Page, Copyright

Contents

Epigraph

1 Prologue: London, Metropolis of Artistic Exile

pp. 9-21

2 Arrival and Orientation: Address Books, Street Maps, and Undergrounds

pp. 23-38

3 Neighbourhoods, Streets, and Houses: Exile History as Urban History

pp. 41-62

4 Gendered London: Gender, Sexuality, and Exile

pp. 65-81

5 Émigrés Build for Émigrés

pp. 83-101

6 Transplanted Objects: Sigmund Freud’s Collection and Chair

pp. 103-118

7 Sculpture, Modernity, and Exile: Jussuf Abbo in London

pp. 121-140

8 From Bauhaus to the Thames: Textile Designs by Margaret Leischner

pp. 143-158

9 In the Blitz: Helmut Gernheim’s Photographs of National Monuments

pp. 161-177

10 Portrait of a City: Streets and Faces of Exile

pp. 179-201

11 London Zoo: Animal, City, and Exile

pp. 203-246

12 Storytelling in Pictures: Stefan Lorant and the Picture Post Photographers

pp. 249-278

13 Reading Exile: Publishers and Books as Multipliers

pp. 281-303

14 Immortal Portraits: Exile, London, and the Historiography of Early Photography

pp. 305-323

15 Back to History: Ludwig Meidner and the British Caricature

pp. 325-335

16 Pencil as Weapon: Richard Ziegler, Walter Trier, and Die Zeitung

pp. 337-359

17 Exhibited Exile: Exhibitions by and with Émigrés

pp. 361-379

18 Show It: Galleries as Places of Distribution of Modernity in Exile

pp. 381-411

19 Allies inside Germany and English Art and the Mediterranean: Exhibitions in and outside London

pp. 413-438

20 Beyond London: Rosa Schapire, Expressionism, and/in Leicester

pp. 441-461

21 Epilogue: Self-descriptions of Exile – A Look Back

pp. 463-474

Afterword and Acknowledgements

pp. 475-478

Notes

pp. 479-536

Bibliography

pp. 537-588

Index of Persons, Institutions, and Periodicals

pp. 589-600
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