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Compelling case studies of groups in Panama, Nicaragua, Mexico, the United States, and Canada using the arts for education, community development, and social movement building. This compelling collection of inspiring case studies from community arts projects in five countries will inform and inspire students, artists, and activists. ¡Viva! is the product of a five-year transnational research project that integrates place, politics, passion, and praxis. Framed by postcolonial theories of decolonization, the pedagogy of the oppressed articulated by Brazilian educator Paulo Freire, and the burgeoning field of community arts, this collection not only analyzes the dynamic integration of the critical and the creative in social justice movements, it embodies such a praxis. Learn from Central America: Kuna children’s art workshops, a community television station in Nicaragua, a cultural marketplace in Guadalajara, Mexico, community mural production in Chiapas; and from North America: arts education in Los Angeles inner-city schools, theatre probing ancestral memory, community plays with over one hundred participants, and training programs for young artists in Canada. These practices offer critical hope for movements hungry for new ways of knowing and expressing histories, identities, and aspirations, as well as mobilizing communities for social transformation. Beautifully illustrated with more than one hundred color photographs, the book also includes a DVD with videos that bring the projects to life.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
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  1. Preface
  2. pp. vii-xv
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  1. Acknowledgments
  2. pp. xvi-xx
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  1. Introduction. Rooted in Place, Politics, Passion, and Praxis: Decolonization, Popular Education, Community Arts, and Participatory Action Research
  2. pp. 1-18
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  1. PART I. Recovering Cultural Histories:Engaging Creative Tensions in Indigenous and Diasporic Contexts
  2. pp. 19-28
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  1. 1.Planting Good Seeds:The Kuna Children’s Art Workshops
  2. pp. 29-41
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  1. 2.The Lost Body:Recovering Memory—A Personal Legacy
  2. pp. 42-54
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  1. PART II. Transforming Urban Spaces:From Postcolonial Neighborhoods to Public Squares
  2. pp. 55-59
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  1. 3.Out of the Tunnel There Came Tea:Jumblies Theatre’s Bridge of One Hair Project
  2. pp. 60-74
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  1. 4.Telling Our Stories: Training Artists to Engage with Communities
  2. pp. 75-85
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  1. 5.A Melting Pot Where Diverse Lives Converge:Tianguis Cultural de Guadalajara
  2. pp. 86-98
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  1. PART III. Community-University Collaborations:Blurring the Boundaries
  2. pp. 99-101
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  1. 6.Painting By Listening:Participatory Community Mural Production
  2. pp. 102-112
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  1. 7.Connecting the Dots:Linking Schools and Universities through the Arts
  2. pp. 113-125
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  1. 8.With Our Images, Voices, and Cultures:BilwiVision—A Community Television Channel
  2. pp. 126-131
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  1. Epilogue:Critical Hope
  2. pp. 132-138
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  1. Notes
  2. pp. 139-145
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  1. Glossary
  2. pp. 146-150
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  1. About the Editor, Contributors, and Videographers
  2. pp. 151-153
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  1. Contacts for VIVA! Project Partner Organizations
  2. p. 154
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  1. Photo and Drawing Credits
  2. p. 155
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  1. VIVA! Community Arts and Popular Education in the Americas:A DVD with nine bilingual videos
  2. pp. 156-157
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  1. Index
  2. pp. 158-168
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