In this Book
Cultural Narratives: Textuality and Performance in American Culture before 1900
This collection of original essays examines debates on how written, printed, visual, and performed works produced meaning in American culture before 1900. The contributors argue that America has been a multimedia culture since the eighteenth century. According to Sandra M. Gustafson, the verbal arts before 1900 manifest a strikingly rich pattern of development and change. From the wide variety of indigenous traditions, through the initial productions of settler communities, to the elaborations of colonial, postcolonial, and national expressive forms, the shifting dynamics of performed, manuscript-based, and printed verbal art capture critical elements of rapidly changing societies.
The contributors address performances of religion and government, race and gender, poetry, theater, and song. Their studies are based on texts—intended for reading silently or out loud—maps, recovered speech, and pictorial sources. As these essays demonstrate, media, even when they appear to be fixed, reflected a dynamic American experience.
Contributors: Caroline F. Sloat, Matthew P. Brown, David S. Shields, Martin Brückner, Jeffrey H. Richards, Phillip H. Round, Hilary E. Wyss, Angela Vietto, Katherine Wilson, Joan Newlon Radner, Ingrid Satelmajer, Joycelyn Moody, Philip F. Gura, Coleman Hutchison, Oz Frankel, Susan S. Williams, Laura Burd Schiavo, and Sandra M. Gustafson
Table of Contents
Cover
Frontmatter
Contents
Introduction
Hand Piety; or, Operating a Book in Early New England
Poor Performance: Incompetence in Conversation, Manuscript, and Print in British America
Addressing Maps in British America: Print, Performance, and the Cartographic Reformation
Print, Manuscript, and Staged Performance: Dramatic Authorship and Text Circulation in the New Republic
From Performance to Print in the Native Northeast
Beyond the Printed Word: Native Womenâs Literacy Practices in Colonial New England
Sarah Wentworth Morton and Changing Models of Authorship
The Path of a Play Script: Louisa Medinaâs Nick of the Woods
âThe Speaking Eye and the Listening Earâ: Orality, Literacy, and Manuscript Traditions in Northern New England Villages
Print Poetry as Oral âEventâ in Nineteenth-Century American Periodicals
Silenced Women and Silent Language in Early Abolitionist Serials
Straddling the Color Line: The Print Revolution and the Transmission, Performance, and Reception of American Vernacular Music
Secret in Altered Lines: The Civil War Song in Manuscript, Print, and Performance Publics
The State between Orality and Textuality: Nineteenth-Century Government Reports and âOratureâ
Authentic Revisions: James Redpath and the Promotion of Social Reform in America, 1850â90
Reading the Image: Visual Culture as Print Culture and the Performance of a Bourgeois Self
The Emerging Media of Early America
Contributors
Index
| ISBN | 9780268080617 |
|---|---|
| Related ISBN(s) | 9780268029760, 9780268205973 |
| MARC Record | Download |
| OCLC | 694144513 |
| Pages | 400 |
| Launched on MUSE | 2012-01-01 |
| Language | English |
| Open Access | No |


