In this Book

Our Lady of Controversy: Alma López's “Irreverent Apparition”

Book
Edited by Alicia Gaspar de Alba and Alma López
2011
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summary

Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.

Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).

Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.

Table of Contents

Cover

Title Page, Copyright Page

CONTENTS

pp. vii-viii

LIST OF IMAGES

pp. ix-x

ACKNOWLEDGMENTS

pp. xi-xii

Our Lady of Controversy: A Subject That Needs No Introduction

pp. 1-12

1. The Artist of Our Lady (April 2, 2001)

pp. 13-16

2. It’s Not about the Art in the Folk, It’s about the Folks in the Art: A Curator’s Tale

pp. 17-42

3. The War of the Roses: Guadalupe, Alma L

pp. 43-68

4. Making Privates Public: It’s Not about La Virgen of the Conquest, but about the Conquest of La Virgen

pp. 69-95

5. Art Comes for the Archbishop: The Semiotics of Contemporary Chicana Feminism and the Work of Alma L

pp. 96-120

6. Queering the Sacred: Love as Oppositional Consciousness in Alma López’s Visual Art

pp. 121-147

7. The Decolonial Virgin in a Colonial Site: It’s Not about the Gender in My Nation, It’s about the Nation in My Gender

pp. 148-164

8. It’s Not about the Virgins in My Life, It’s about the Life in My Virgins

pp. 165-194

9. Do U Think I’m a Nasty Girl?

pp. 195-211

10. Devil in a Rose Bikini: The Second Coming of Our Lady in Santa Fe

pp. 212-248

11. It’s Not about the Santa in My Fe, but the Santa Fe in My Santa

pp. 249-292

Appendix: Selected Viewer Comments

pp. 293-310

About the Contributors

pp. 311-314

Index

pp. 315-322
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