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Walter Pater: Transparencies of Desire

Book
Walter Pater edited by Laurel Brake, Lesley Higgins, Carolyn Williams
2002
Published by: ELT Press
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summary
The "Conclusion" to The Renaissance advises the responsive critic to consider carefully "the various forms of intellectual activity which together make up the culture of an age." Transparencies of Desire brings together twenty-one varied, contentious, informative essays that confirm Pater's ongoing power to captivate and challenge readers. The interdisciplinary breadth of the collection demonstrates that the critical culture of Pater studies is always multifaceted--inviting diverse theoretical perspectives yet also demanding that any paradigm of analysis (feminist, new historicist, aesthetic, queer theory, formalist, biographical, Foucauldian) be tested and redefined. Scholars from five different countries reconsider Pater's career and canon, the reception of his works, the intersections of genre, gender, and aesthetics, and the implications of Pater's writings--in aesthetics, fiction, philosophy, archaeology, art history--for contemporary cultural studies.

Table of Contents

Cover

Title Page, Copyright Page

CONTENTS

pp. vii-ix

List of Illustrations

pp. x-xi

Acknowledgments

pp. xii

Abbreviations

pp. xiii

Transparencies of Desire: An Introduction

pp. 1-11

Aesthetic Conditions: Returning to Pater

pp. 12-23

The Entangling Dance: Pater after Marius, 1885–1891

pp. 24-36

No Time for Pater: The Silenced Other of Masculinist Modernism

pp. 37-54

Pater’s Reception in France: A Provisional Account

pp. 55-62

The Reception of Walter Pater in Germany and Austria

pp. 63-72

Physiology, Mesmerism, and Walter Pater’s “Susceptibilities to Influence”

pp. 73-89

Disturbing Hellenism: Walter Pater, Charles Newton, and the Myth of Demeter and Persephone

pp. 90-106

“Outward Nature and the Moods of Men”: Romantic Mythology in Pater’s Essays on Dionysus and Demeter

pp. 107-118

“Reanimate Greek”: Pater and Ruskin on Botticelli

pp. 119-132

Schooling Leonardo: Collaboration, Desire, and the Challenge of Attribution in Pater

pp. 133-150

The Politics of Formalist Art Criticism: Pater’s “School of Giorgione”

pp. 151-169

Pater’s “Great Change”: Marius the Epicurean as Historical Conversion Romance

pp. 170-188

Marius at Oxford: Paterian Pedagogy and the Ethics of Seduction

pp. 189-201

Poetics of Ekphrasisin Pater’s “Imaginary Portraits”

pp. 202-212

The Imaginary Portrait: Pater’s Contribution to a Literary Genre

pp. 213-223

Beauty’s New “Hour”: Paterian Aestheticism in the Short Fiction of Olivia Shakespear

pp. 225-235

Pater’s Body of Work

pp. 236-249

Walter Pater and Walter Benjamin: The Diaphanous Collector and the Angel of History

pp. 250-260

Walter Pater’s “Latent Intelligence” and the Conception of Queer “Theory”

pp. 261-284

Pater’s Critical Spirit

pp. 286-297

The Notes

pp. 299-362

Biographies

pp. 363-367

Index

pp. 369-380
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