In this Book

Pedro Almodóvar

Book
Marvin D’Lugo
2006
summary
Perhaps the best-known Spanish filmmaker to international audiences, Pedro Almodóvar gained the widespread attention of English-speaking critics and fans with the Oscar-nominated Women on the Verge of a Nervous Breakdown and the celebrated dark comedy Tie Me Up! Tie Me Down!.

Marvin D'Lugo offers a concise, informed, and insightful commentary on a preeminent force in modern cinema. D'Lugo follows Almodóvar's career chronologically, tracing the director's works and their increasing complexity in terms of theme and the Spanish film tradition. Drawing on a wide range of critical sources, D'Lugo explores Almodóvar's use of melodrama and Hollywood genre film, his self-invention as a filmmaker, and his on-screen sexual politics. D'Lugo also discusses what he calls "geocultural positioning," that is, Almodóvar's paradoxical ability to use his marginal positions—in terms of his class, geographical origin, and identity—to develop an expressive language that is emotionally recognizable by audiences worldwide. Two fascinating interviews with the director round out the volume.

An exciting consideration of an arthouse giant, Pedro Almodóvar mixes original interpretations into an analysis sure to reward film students and specialists alike.

Table of Contents

Cover

Title page, Copyright

pp. i-vi

Contents

pp. vii-viii

Acknowledgments

pp. ix-xii

Pedro Almodóvar and His Cinema

Low-Level Melodrama

pp. 1-16

Pepi, Luci, Bom, and Other Friends of Pedro

pp. 16-29

Migration and Melodrama

pp. 29-44

Thrillers

pp. 45-59

Women on the Verge of a Nervous Breakdown (1988)

pp. 59-67

Transnational Respositioning after Women on the Verge

pp. 67-85

The Flower of My Secret (1995)

pp. 85-93

Live Flesh (1997)

pp. 93-99

All about My Mother (1999)

pp. 99-105

Talk to Her and Bad Education

pp. 105-130

Interview with Pedro Almodóvar

pp. 131-144

Self-Interview

pp. 145-152

Filmography

pp. 153-158

Bibliography

pp. 159-164

Index

pp. 165-176

About the Author

pp. 177

Books in the series Contemporary Film Directors

pp. 178-180

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