In this Book

Cruising Utopia: The Then and There of Queer Futurity

Book
Jose Munoz
2009
Published by: NYU Press
summary

The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist.

Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O’Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future.

In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.

Table of Contents

Cover

Title Page, Copyright

Contents

pp. vii-viii

Acknowledgments

pp. ix-xii

Introduction: Feeling Utopia

pp. 1-18

1. Queerness as Horizon: Utopian Hermeneutics in the Face of Gay Pragmatism

pp. 19-32

2. Ghosts of Public Sex: Utopian Longings, Queer Memories

pp. 33-48

3. The Future Is in the Present: Sexual Avant-Gardes and the Performance of Utopia

pp. 49-64

4. Gesture, Ephemera, and Queer Feeling: Approaching Kevin Aviance

pp. 65-82

5. Cruising the Toilet: LeRoi Jones/Amiri Baraka, Radical Black Traditions, and Queer Futurity

pp. 83-96

6. Stages: Queers, Punks, and the Utopian Performative

pp. 97-114

7. Utopia’s Seating Chart: Ray Johnson, Jill Johnston, and Queer Intermedia as System

pp. 115-130

8. Just Like Heaven: Queer Utopian Art and the Aesthetic Dimension

pp. 131-146

9. A Jeté Out the Window: Fred Herko’s Incandescent Illumination

pp. 147-168

10. After Jack: Queer Failure, Queer Virtuosity

pp. 169-184

Conclusion: “Take Ecstasy with Me”

pp. 185-190

Notes

pp. 191-208

Bibliography

pp. 209-216

Index

pp. 217-222

About the Author

pp. 223-224
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