In this Book

Between Exile and Return: S. Y. Agnon and the Drama of Writing

Book
Anne Golomb Hoffman
2012
buy this book Buy This Book in Print
summary

This innovative study of the modern Hebrew writer, S. Y. Agnon, offers new insight into his literary transformations of Jewish themes and sources. With particular attention to Kafka, Hoffman situates Agnon in the context of twentieth-century literature and examines such central issues in Agnon's art as the relationship of the literary text to traditions of sacred writings, the place of the book in culture, and the relationship of writing to the body.

Agnon's writing moves between exile and return, enacting dramas of presence and absence, and attachment and loss. From the images of sacred texts found in some of his short fiction to the ideological conflicts that inform his larger novels, this book traces the geographical-cultural sweep of Agnon's writing, as it moves through Eastern and Western Europe, positioning the Diaspora in relation to a Jerusalem that is both mundane and spiritual.

Hoffman examines the ways in which Agnon's writing produces an autobiographical myth that joins the figure of the writer to the life-history of the larger community of Israel. Moving from stories of writer and writing to the broader cultural canvas of several major novels, the author concludes with an analysis of the ways in which the fiction prompts interrogation of major cultural constructions concerning gender, the formative passage of the subject through the Oedipus complex, and the dissociation of culture from the body.

Table of Contents

Cover

Title Page, Copyright, Dedication

pp. iii-v

Contents

pp. vii

Acknowledgments

pp. ix

1. Introduction: "Like a Man Who Is Exiled From the Palace of His Father"

pp. 1-20

Part I: Comparative Agnon

2. Scribal Fictions: Franz Kafka and S. Y Agnon

pp. 23-39

3. Dramas of Signification: Edmond Jabes, S. Y. Agnon, Franz Kafka

pp. 41-54

Part II: Of Writing and the Writer

4. Autochthon of the Book

pp. 57-75

5. Housing the Past in A Guest for the Night

pp. 77-103

6. Inclusion and Exclusion: Three Stories

pp. 105-122

Part III: Anatomies of Culture

7. Inscription and Madness in Only Yesterday

pp. 125-148

8. The Wound and the Book: Gender, Writing and Culture in Shira

pp. 149-176

9. "A Sanctioned Babel": Toward a Conclusion

pp. 177-183

Notes

pp. 185-207

References

pp. 209-224

Index [Includes Back Cover]

pp. 225-236
Back To Top