In this Book

summary
This volume of VGAR critically analyzes video game art as a means of survival. Though “survival strategy” exists as a defined gaming genre, all video games—as unique, participatory artworks—model both individual and collaborative means of survival through play. Video games offer opportunities to navigate both historical and fictional conflicts, traverse landscapes devastated by climate change or nuclear holocaust, and manage the limited resources of individuals or even whole civilizations on earth and beyond. They offer players a dizzying array of dystopian scenarios in which to build and invent, cooperate with others (through other players, NPCs, or AI) to survive another day. Contributors show how video games focus attention, hone visuospatial skills, and shape cognitive control and physical reflexes and thus have the power to participate in the larger context of radical, activist artworks that challenge destructive hegemonic structures as methods of human conditioning, coping, and creating.

Contributions by Anna Anthropy , Andrew Bailey, Michael Anthony DeAnda, Luisa Salvador Dias, Tiffany Funk, Elizabeth LaPensée, Treva Michelle Legassie, Michael Paramo, and Martin Zeilinger.

Table of Contents

  1. Cover
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  1. Title Page, Copyright
  2. pp. 1-2
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  1. Contents
  2. pp. 3-4
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  1. Letter From the Editor: IT'S DANGEROUS TO GO ALONE! TAKE THIS.
  2. Tiffany Funk
  3. p. 5
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  1. Interview: Make Beautiful, Creative Things Together: An Interview with Anna Anthropy
  2. Interviewee: Anna Anthropy Interviewer: Tiffany Funk
  3. pp. 6-14
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  1. Essays: Survival Interventions in GTA: On the Limits of Performance in Virtual Environments
  2. Martin Zeilinger
  3. pp. 15-27
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  1. Thunderbird Strike: Survivance in/of an Indie Indigenous Game
  2. Elizabeth LaPensée
  3. pp. 28-37
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  1. Fantastic Places and Where to Find Them: Pseudo-Indexical Realities Within Video Games and Game Art
  2. Andrew Bailey
  3. pp. 38-50
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  1. Playing with Dick Pics: Networked Technologies and Digital Closets
  2. Michael Anthony DeAnda
  3. pp. 51-63
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  1. These Wars of Mine: Why It Matters How Video Games Represent War
  2. Luisa Salvador Dias
  3. pp. 64-74
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  1. Virtual Intimacy and Queer Confrontations in The Last of Us: Left Behind
  2. Michael Paramo
  3. pp. 75-85
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  1. Playing, Performing, Policing: Navigating Avatar Expression in Second Life
  2. Treva Michelle Legassie
  3. pp. 86-98
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