- Chinese Science Fiction during the Post-Mao Cultural Thaw by Hua Li
Chinese Science Fiction during the Post-Mao Cultural Thaw focuses on the years after Mao Zedong's demise, from 1976 to 1983, during which China's politics and culture underwent unusual changes. Li's book is a laudable scholarly endeavor that provides readers with a new interpretation of science fiction (SF) during the post-Mao era. Li connects the production of Chinese SF to a wider context, including mainstream literary perspectives, domestic political demands and predicaments, changing international relations, and Western SF traditions. From my point of view, this book contributes to existing scholarship in four different ways.
First, Li offers an explanation for the launching of the "Anti-Spiritual Pollution Campaign" in 1983, and for the withering of SF in the 1980s, that is different from that of many other scholars. According to Zhan Ling, Chinese [End Page 270] officials liked art that closely connected to politics in the 1980s.1 Yet SF writers were very interested in thriller themes during this period, pursuing literary value while neglecting political significance. Science fiction deviated from reality, which went against Deng Xiaoping's idea of "seeking truth from facts," proposed in 1978. For these reasons, Zhan argues, SF was labeled as "bourgeois literature" in the Anti-Spiritual Pollution Campaign and severely criticized.2 Wu Yan offers another explanation, focusing on how, in 1983, renowned scientist Qian Xuesen published an article in People's Daily that accuses then-current SF of being "specimens of pseudoscience" and misleading teenagers.3 Qian's viewpoint caught Deng's attention; he claimed in the same year that SF was a pollution of science.4 Moreover, a growing number of books and films promoted sexual liberation and Western democracy at this time. Faced with this "crisis," Deng called on all levels of judicial and propaganda departments to thwart the spread of these ideas and works in society. This campaign lasted for three years, with approximately twenty-four thousand people being executed for "mental impurity." It dealt a heavy blow to SF as well, causing the number of SF writers as well as the social impact of SF to decline significantly.5
Compared to Zhan and Wu, Li places more emphasis on the fact that Deng wanted to achieve political and ideological unity through this campaign. In the 1980s, many voices were opposing Deng at the top of the Communist Party of China (CPC). Although Deng was not the highest leader of the CPC in name, he controlled the standing of the CPC. Many high-level officials accused Deng of destroying socialist democracy. Deng launched the Anti-Spiritual Pollution Campaign under the pretext of fighting the spread of "Western-inspired liberal ideas among the Chinese Populace" (14), while aiming to purge high-level dissidents from the CPC. This campaign, like Mao's Cultural Revolution in the late 1960s and 1970s, became increasingly violent and difficult to control as it went on. Many officials in the CPC took advantage of the campaign to attack people, policies, and behavior that they disliked (15). Li's account is very convincing because it aligns with the political changes that have occurred since then. Hu Yaobang was dismissed in January 1987 due to "indulging bourgeois liberalization and weakening the Party's leadership."6 As the general secretary of the Central Committee of the CPC, Hu admired the Western political system with its separation of powers and intended to establish such a system in China to achieve democratic modernization. However, his efforts were obstructed by Deng. The establishment of a modern democratic system would have signified the end of the CPC dictatorship. [End Page 271]
Further, Li points out that SF in the post-Mao era lacked a critical awareness of ethical problems. SF writers of this era tended to ignore the moral and ethical implications of the use of modern technology, or they took up modern technology without the reflectiveness and attention to detail that makes modern technology something more than a normative...