White Power and American Neoliberal Culture by Patricia Ventura and Edward K. Chan (review)

White Power and American Neoliberal Culture, by utopian studies scholars Patricia Ventura and Edward K. Chan, feels like a tour de force. I say "feels" for a reason: if you live in America, what you read in this book feels entirely familiar, sketching out U.S. racialized socio-political dynamics. But I also experienced a feeling of uncanniness, as Ventura and Chan expose the underbelly of a white supremacist United States—in which I happen to live. I have not read so clear and so well historicized an account of the kinds of events that prompt me to say, almost nightly, "This country is insane." The book does not change that opinion—but it does do something else: it makes sense of the insanity. It is a diagnosis of the social and ethical dis-ease, the etiology of which the authors locate in the country's very earliest days (indeed before). I do not usually point at book jacket blurbs in reviews, but I found the comments on this text's back cover absolutely accurate, with words like "urgent," "striking," "gripping," "timely," and "chilling" precisely describing my own experience of reading White Power and American Neoliberal Culture. Part of that affective impact, for a well-educated white citizen of this country, comes from the book's frank assessments not only of white supremacists' ongoing threat to democracy but also of the complicity of the "intellectual class" in this country, which often finds itself frankly baffled by such phenomena as a twice-impeached, four-times-(so-far)-indicted, overtly racist and sexist ex-president to be the unchallenged frontrunner for the Republican Party's nomination for the 2024 presidential election. The authors of White Power do not hesitate to describe events such as the Charlottesville white supremacy march and the January 6 insurrection as anything but a "horror"; that said, the point of their analysis is not to demonize "Trump voters" as "far white" supremacists and "cultists" (CNN's most frequent nomination recently) but to distinguish carefully the factors at play that pull together "normal Republicans" and fringe racist and nationalist groups under one banner. The "red thread" from the founding of the colonies to this moment is always, and still, they argue, race. It is actually "chilling" to read Ventura's and Chan's explanation of how the white nationalist movement, which seems (and is) so radically anti-democratic, makes a certain kind of sense, and why a populist attraction to authoritarianism will continue to threaten what "we" (the identity of which is, of course, the central question) have (mis)understood "democracy in America" to be.

Many readers will know that Ventura and Chan have collaborated for some years—and to see a co-authored book emerge from that work is a testament to how that collaboration has thrived, by "building on our previous separate scholarship that analyzes white power utopias (Chan) and American neoliberal culture (Ventura)" (4). In the overlap of their work, they have illuminated a troubling gap in the literature of neoliberalism and utopia alike: race. The intersection of critical race studies and utopian studies was only starting to appear in the 1990s and early 2000s; the collaboration of Ventura and Chan in mining the historical and narratological resources of thinking utopia through race, and race through utopia, has proven itself more than the sum of its parts, as they say: their work has been generative in several fields.

Moreover, their mutual accountability as authors has a direct impact on the quality of the book's prose. Both are admirably clear writers in their own right. In White Power, the rigor of this collaborative process, which ultimately depends on trust and on an intellectual consensus about what they put down on paper, informs the confidence and concision of the prose; the careful historicizing of literary/aesthetic, political, and economic contexts heightens the urgency of the book's conclusions. There is...