Abstract

Abstract:

This article is a scholarly expansion of my previous public writing in HowlRound entitled “Iranian Blackface Clowns are Racist, No Matter How You Sugarcoat Them in Obscure Archaic Mythology.” In the essay, I argue siāh-bāzi, an Iranian form of popular entertainment that features a main character in blackface, is indeed a racialized mockery of the African slaves who were brought to Iran from the sixteenth to early twentieth centuries. In the present article, I delve deeper into the history of slavery in Iran as a context for sāh-bāzi. I also analyze the embodiment techniques in siāh-bāzi to demonstrate its racial connotations.

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