Abstract

ABSTRACT:

This essay explores photography’s relationship to the transhumanist imaginary of American weird fiction writer H. P. Lovecraft; transhumanism refers to the belief that humans can evolve through technological advancements. I argue that Lovecraft’s seemingly naïve conception of photography as unerringly “objective” actually reflects his understanding of photography as a transhuman technology that can transform human consciousness. However, Lovecraft’s transhumanist vision is plagued by the recognition that the endpoint of transhumanist evolution is the annihilation of the individual body and the specific desires on which one’s sense of self is grounded—a vision Lovecraft is attracted to but finally cannot embrace.

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