Contributors
- Contributors
Tom Docherty is a literary scholar and poet living in Paisley, Scotland. His essays have appeared in Literary Imagination (on Geoffrey Hill and Robert Lowell) and Christianity & Literature (on John Bunyan). His first poetry collection, If the Mute Timber, is to be published in 2022 by Shearsman Books. He is currently finishing work toward his first monograph, Consummatum est: Geoffrey Hill and the Ends of Poetry.
Emily Harrington is associate professor of English at the University of Colorado, Boulder. She is the author of Second Person Singular: Late Victorian Women Poets and the Bonds of Verse (Virginia 2014), as well as articles and chapters in Victorian Poetry, Victorian Studies, Nineteenth-Century Literature, The Oxford Handbook of Victorian Poetry, and the Cambridge Companion to Victorian Women Poets. She is currently at work on a book project provisionally entitled Ripe Time Pending: Waiting in Victorian Poetry.
Benjamin D. O'Dell is assistant professor of English at Georgia Gwinnett College. His current research explores how narrative time and temporality became central to the literary engagement of history and historicity once Walter Scott's historical romances gave way to a range of new genres less obviously concerned with the past. His essays have appeared in Victorian Literature and Culture and The Journal of Popular Culture. Another essay, "The Victorian Counter-Pastoral: Adam Bede as Historical Novel," is forthcoming in the journal Studies in the Novel.
Michael Rizq is a PhD candidate at the University of Cambridge, U.K., where he studies nineteenth- and twentieth-century poetry. His research focuses on the connection between poetic form and ethical thinking, and especially the philosophical and metaphysical charge sometimes ascribed to the local effects of meter and rhythm. His work has appeared in Philological quarterly and The Cambridge quarterly.
Sylvie Thode is a PhD student in English at the University of California, Berkeley. She works on transhistorical poetics of embodiment, literary aesthetics of resistance, and queer/mystical temporality. Her writing has appeared in the Cambridge Literary Review, Jacket2, and Literary Matters.
