Abstract

abstract:

Taking up the challenge of comprehending the history of gardening in the Atlantic world through the frame of "moving landscapes" demands that we confront the wake of the unfinished histories of transatlantic slavery, settler coloniality, and dispossession. Such a confrontation obliges us to reckon with the spectral violence of landscaping in the making of the Atlantic world, or what I call landscape vertigo. In understanding landscape vertigo not only as a matter of effects and affects but also as a call for praxis, I lay out four propositions for understanding landscaping as machine of necropower.

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