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  • INDEX TO VOLUME 73

CONTRIBUTORS’ INDEX

ARTICLES

Anderson, Patrick. “Dramaturgies of Policing: Performance Theory, Police Violence, and the Limits of Accountability.” 533–49.

Arthur, Marc. “Nostalgia and Chronicity: Two Temporalities in the Restaging of AIDS.” 19–36.

Beck, Dennis C. “Becoming Object: Reimagining the Human on Czech ‘New Theatre’ Stages.” 61–81.

Conti, Meredith. “Hired Guns: Whiteness, Womanhood, and Progressive-era Shooting Promoters.” 511–32.

Eacho, Douglas. “Scripting Control: Computer Choreography and Neoliberal Performance.” 339–57.

Edgecomb, Sean F. “Queer Rurality and the Closet Door Ajar on the Contemporary American Stage.” 37–59.

Farnell, Ian. “Theatre, Science Fiction, and Care Robots: Embodying Contemporary Experiences of Care.” 373–89.

Forsgren, La Donna L. “Hands Up, Don’t Shoot: ‘Suicide,’ Black Gun Ownership, and Restoring Black Masculinity on Black Arts Movement Stages.” 467–88.

Gunn, Olivia N. “Leaving the Theatre of Suffering: Two Endings—and a Color-Conscious Future?—for Hedda Gabler.” 189–207.

Jones, Douglas. “‘The Black Below’: Minstrelsy, Satire, and the Threat of Vernacularity.” 129–46.

Lucie, Sarah. “Human Objecthood in the Data sphere: The Body as Resistant Material in Twenty-First-Century Media.” 319–37.

McGinley, Paige A. “‘Experimenting with a New Technique’: Performance and Rehearsal in the Long Civil Rights Movement.” 1–17.

Morrison, Elise. “Remote CTRL: Rehearsing Performative Ethics in Theatres of Contemporary War.” 489–510.

Otto, Ulf. “Performing the Glitch: AI Animatronics, Android Scenarios, and the Human Bias.” 359–72.

Rountree, Barry, and William Condee. “The Nonmaterial Mirror: Performing Vibrant Abstractions in AI Networks.” 299–318.

Thompson, Jennifer Joan. “Horizons of Impossibility: The Political Imperative and the Dramaturgy of Guillermo Calderón.” 169–87.

Walls, Alison. “Josephine Gassman and Her ‘New Zealand Pickaninnies’: Performing the Colonial Family.” 209–24.

Walsh, Fintan. “Grief Machines: Transhumanist Theatre, Digital Performance, Pandemic Time.” 391–407.

Walton, Robert. “Theatres of Artificial Intelligence and the Overlooked Performances of Computing.” 279–98.

Yeboah, Nikki. “All the Nation’s a Stage: The Ghana National Theatre as Sankofa Praxis.” 147–68.

PERFORMANCE REVIEWS

Auslander, Philip. That Show Was Epic! Phil Lesh and the Terrapin Family Band, 3/16/18. 409–10.

Baki, Hala. This Is Who I Am. 414–16.

Baur, Devon. The Under Presents. 106–8.

Bianchini, Natka. What the Constitution Means to Me. 251–52.

Boffone, Trevor. Circle Jerk. 89–91.

Brewster, Shelby. Sex and Consequences. 240–42.

Ciba, Daniel. In & Of Itself. 575–76.

Corts, Alicia. The Under Presents: The Tempest. 236–38.

Diamond, Catherine. Manila Zoo. 229–31.

Dilek, Mert. Happy Days. 559–61.

Fawcett, Julia. Emperor of the Moon. 416–18.

Fernández, Esther. Reinar después de morir. 97–99.

Friedgen, Kristina. Phase One: The Underbrush. 231–34.

———. work.txt. 231–34.

Fuchs, Barbara. La Dama Boba. 553–55.

Ghoneim, Laila. Msh Zanbek (Not Your Fault). 561–64. [End Page 611]

Gillespie, Benjamin. We’re Gonna Die. 245–47.

Heiner, Catherine. Good Standing. 85–86.

Herrera, Patricia. Hamilton: An American Musical. 83–85.

Higgins, Jeanmarie. One Room: A World Revealed. 99–101.

Huang, Honglan. Zoo Motel. 425–27.

Johnston, Chloe. Fannie Lou Hamer, Speak on It! 238–40.

Jorgensen, Eric. The Inheritance. 101–3.

Kello, Robin. The African Company Presents Richard III. 420–21.

Kim, Hyewon. Everybody’s Talking About Jamie. 429–32.

LaReau, Brandon. Aida. 566–68.

Larlham, Daniel. Show Me a Good Time. 108–10.

Lewis, Christian. Ratatouille: The TikTok Musical. 432–33.

Lewis, Hannah. Tosca. 557–59.

Liedke, Heidi Łucja. Last Gasp (WFH). 225–27.

Lipscomb, Valerie Barnes. Safe House. 564–65.

Low, Jennifer A. The Picture of Dorian Gray. 422–23.

Lucie, Sarah. Eraser Mountain. 103–6.

Midgley, Patrick. All the Devils Are Here: How Shakespeare Invented the Villain. 419–20.

Mitchell, Koritha. The Glorious World of Crowns, Kinks and Curls. 410–12.

O’Dell, Carrie Lee. I Only Perform to the Mountain Goats. 412–14.

Peng, Hui. A Phone Call. 571–73.

Phong, Winter. My Hands and Feet Are Wiggling. 242–45.

———. Patient 36. 242–45.

———. Zara. 242–45.

Poster-Su, Tobi. Casting Fu Manchu. 247–49.

Quirk, Catherine. The Whip. 423–25.

Randle-Bent, Matthew. Make Me Stop Smoking. 95–97.

Robinson, Valleri. Insulted. Belarus. Worldwide Readings. 427–29.

Schaaf, Olivia Maria. Lost (1.5 m). 573–75.

Schiffler, Elizabeth. Disclaimer. 568–70...

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