Abstract

Abstract:

The Chilean police keep firing pellets and tear gas bombs in the streets, blinding and injuring people by the hundreds. The people keep demonstrating. Two months before the protests of October 2019, a problematic documentary play, Animales invisibles, while distorting the genre, prophesied what was to come precisely in the way it departed from the documentary.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 149-156
Launched on MUSE
2021-09-29
Open Access
No
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