Abstract

Abstract:

By considering theories of classical archaeology, extant dimensional data of the Parthenon’s stylobate, and current understanding of the limitation of human vision, the author of this article proposes that the Parthenon’s architects used a four-step design sequence to define the stylobate’s upward curvature. A significant aspect of the design sequence is the existence of construction viewingpositions, architecturally defined locations on the Athenian Acropolis from which the architects monitored the stylobate’s construction to ensure a pre-planned curvature. The proposed design sequence acknowledges an equanimity and an interdependence between the experiencing and the rationalization of architecture.

pdf