Abstract

ABSTRACT:

This article examines the convergence of online and offline political action in the form of “sticky note activism” following the 2016 Gangnam Station murder in South Korea, which involved the posting of handwritten sticky notes in public spaces and the dissemination of images of the notes through digital media. I argue that, as an alternative feminist media practice, sticky note activism has helped catalyze the formation of affective counterpublics by mobilizing women’s affect, challenging dominant narratives about the misogynistic murder, and, thereby, broadening the context for the collective articulation of new feminist voices and practices.

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