Books Received

Alister, Ian, and Christopher Hauke, eds. Jung and Film: Post-Jungian Takes on the Moving Image. Hove, UK: Brunner-Routledge, 2001.

Azhgikhina, Nadezhda, and Meredith Tax. The Power of the Word II: Women's Voices and the New European Order. New York: Women's World, 2000.

Azoulay, Ariela. Death's Showcase: The Power of Image in Contemporary Democracy. Cambridge: MIT Press, 2001.

Calhoon, Kenneth S. Peripheral Visions: The Hidden Stages of Weimar Cinema. Detroit, MI: Wayne State University Press, 2001.

Dick, Bernard F. Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood. Lexington: University of Kentucky Press, 2001.

Donati, William. Ida Lupino: A Biography. Lexington: University of Kentucky Press, 1996.

Gateward, Frances. Zhang Yimou: Interviews. Jackson: University of Mississippi Press, 2001.

Golden, Eve. Anna Held and the Birth of Ziegfeld's Broadway. Lexington: University of Kentucky Press, 2000.

Greenfield, Sayre, and Linda Troost, eds. Jane Austen in Hollywood. Lexington: University of Kentucky Press, 1998.

Haberski, Raymond J. "It's Only a Movie!": Films and Critics in American Culture. Lexington: University of Kentucky Press, 2001.

Hillier, Jim, ed. American Independent Cinema: A Sight and Sound Reader. London: British Film Institute, 2001.

Juhasz, Alexandra, ed. Women of Vision: Histories in Feminist Film and Video. Minneapolis: University of Minnesota Press, 2001.

King, Neal, and Martha McCaughey, eds. Reel Knockouts: Violent Women in the Movies. Austin: University of Texas Press, 2001.

Lent, John A., ed. Animation in Asia and the Pacific. Bloomington: Indiana University Press, 2001.

Levy, Emanuel. Cinema of Outsiders: The Rise of American Independent Film. New York: New York University Press, 1999.

Maltby, Richard, and Melvyn Stokes, eds. Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. London: British Film Institute, 2001.

McAlister, Melani. Epic Encounters: Culture, Media, and US Interests in the Middle East, 1945-2000. Berkeley: University of California Press, 2001.

Moore, Robin D. Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940. Pittsburgh, PA: University of Pittsburgh Press, 1997.

Quandt, James, ed. Kon Icikawa. Toronto: Toronto International Film Festival Group, 2001.

Rohdie, Sam. Promised Lands: Cinema, Geography, Modernism. London: British Film Institute, 2001.

Rollins, Peter C. Hollywood As Historian: American Film in a Cultural Context. Rev. ed. Lexington: University of Kentucky Press, 1998.

Sochen, June. From Mae to Madonna: Women Entertainers in Twentieth-Century America. Lexington: University of Kentucky Press, 1999.

Stempel, Tom. American Audiences on Movies and Moviegoing. Lexington: University of Kentucky Press, 2001.

Thornham, Sue. Feminist Theory and Cultural Studies: Stories of Unsettled Relations. London: Arnold, 2001.

Tinkcom, Matthew, and Amy Villarejo, eds. Keyframes: Popular Cinema and Cultural Studies. London: Routledge, 2001.

Trimbur, John, ed. Popular Literacy: Studies in Cultural Practices and Poetics. Pittsburgh, PA: University of Pittsburgh Press, 2001.

Usai, Paolo Cherchi. The Death of Cinema: History, Cultural Memory, and the Digital Dark Age. London: British Film Institute, 2001.

Whitfield, Eileen. Pickford: The Woman Who Made Hollywood. Lexington: University of Kentucky Press, 1997.

Yau, Esther C. M., ed. Hong Kong Cinema in a Borderless World. Minneapolis: University of Minnesota Press, 2001.

Zizek, Slavoj. The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory. London: British Film Institute, 2001.