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  • Contributors

FAITH D. ACKER teaches composition at Southeastern Louisiana University. Her monograph, First Readers of Shakespeare's Sonnets, 1590–1790 (Routledge, 2020), combines book history, manuscript studies, and editorial theory to show how early public and private readings of Shakespeare's Sonnets can and should expand our current critical examinations of these poems. Her newest project, tentatively titled Service and Satire in Early Modern English Epitaphs, examines more than a hundred early modern epitaphs in an attempt to consider private and local attitudes toward servants and tradesmen within a scholarly discourse that currently privileges fictional dramatic accounts above these more personal contexts.

AMBEREEN DADABHOY is Associate Professor of Literature at Harvey Mudd College. Her research focuses on the representation of race and religion in early modern drama set in the Mediterranean.

CHRIS FITTER, Professor of English at Rutgers University, is author of four books, including Radical Shakespeare, Majesty and the Masses in Shakespeare and Marlowe, and (as editor) Shakespeare and the Politics of Commoners.

DAVID GLIMP is Associate Professor of English at the University of Colorado Boulder. He is the author of Increase and Multiply: Governing Cultural Reproduction in Early Modern England and coeditor of Arts of Calculation: Quantifying Thought in Early Modern Europe and a special issue of ELN entitled After Critique? He is currently working on a number of projects, including a manuscript on security, sovereignty, and fiscal policy in Renaissance English literature and a series of articles on infrastructure, value, and personhood on the English stage.

JEAN-CHRISTOPHE MAYER is a Research Professor employed by the French National Centre for Scientific Research (CNRS). He is also a member of the Institute for Research on the Renaissance, the Neo-classical Age and the Enlightenment (IRCL) at Université Paul Valéry, Montpellier. His latest book is entitled Shakespeare's Early Readers: A Cultural History from 1590 to 1800 (Cambridge University Press, 2018). [End Page 66]

LAUREN SHOHET is Professor of English at Villanova University, where she teaches both early modern literature and courses on the long history of media change. Author of Reading Masques: The English Masque and Public Culture in the Seventeenth Century (Oxford University Press, 2010), she is currently working on a study of media, mediation, and Milton's Eve. She is Subject Editor for English Literature and Drama in the forthcoming online Routledge Encyclopedia of the Renaissance World.

STEVEN SWARBRICK is Assistant Professor of English at Baruch College, CUNY, specializing in early modern English literature and the environmental humanities. His recent publications have appeared in The Routledge Handbook of Shakespeare and Animals and Queer Milton. His current book project investigates early modern poetic modes of environmental redress.

BENJAMIN D. VANWAGONER is a Core Lecturer in the humanities at Columbia University. He is working on his first book, Imperial Ventures: Maritime Drama and the Invention of Risk, and his essays on pirate economics and colonial debt networks have recently appeared in SEL 1500–1900 and an edited collection, Early Modern Debts. [End Page 67]

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