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Camera Obscura 15.2 (2000) 202-204

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Books Received

Allan, Robin. Walt Disney and Europe: European Influences on the Animated Feature Films of Walt Disney. Bloomington: Indiana University Press, 1999.

Barker, Deborah. Aesthetics and Gender in American Literature. Cranbury, NJ: Bucknell University Press, 2000.

Barlowe, Jamie. The Scarlet Mob of Scribblers: Rereading Hester Prynne. Carbondale: Southern Illinois University Press, 2000.

Bernstein, Matthew, ed. Controlling Hollywood: Censorship and Regulation in the Studio Era. New Brunswick, NJ: Rutgers University Press, 1999.

Boswell, David, and Jessica Evans, eds. Representing the Nation: A Reader. New York: Routledge, 1999.

Branston, Gill, and Roy Stafford, eds. The Media Student's Handbook. 2d ed. New York: Routledge, 1999.

Cook, Pam, and Mieke Bernink, eds. The Cinema Book. 2d ed. London: British Film Institute, 1999.

Elder, Kathryn, ed. The Films of Joyce Wieland. Toronto: International Film Festival Group, 1999.

Genosko, Gary. McLuhan and Baudrillard: The Masters of Implosion. New York: Routledge, 1999.

Kinder, Martha, ed. Kids' Media Culture. Durham, NC: Duke University Press,1999.

Klotman, Phyllis R., and Janet K. Cutler, eds. Struggles for Representation: African American Documentary Film and Video. Bloomington: Indiana University Press, 1999.

Kuhn, Annette, ed. Alien Zone II: The Spaces of Science Fiction Cinema. London: Verso, 1999.

Lane, Christina. Feminist Hollywood: From Born in Flames to Point Break. Detroit, MI: Wayne State University Press, 2000.

Levy, Pierre. Collective Intelligence: Mankind's Emerging World in Cyberspace, trans. Robert Bononno. New York: Plenum, 1997.

Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press, 2000.

Mitry, Jean. The Aesthetics and Psychology of the Cinema, trans. Christopher King. Bloomington: Indiana University Press,

Moore, Rachel O. Savage Theory: Cinema as Modern Magic. Durham, NC: Duke University Press, 2000.

Naremore, James, ed. Film Adaptation. New Brunswick, NJ: Rutgers University Press, 2000.

Nelmes, Jill, ed. An Introduction to Film Studies. 2d ed. New York: Routledge,1999.

Nilsen, Alleen Pace, and Don L. F. Nilsen. Encyclopedia of Twentieth-Century Humor. Phoenix, AZ: Oryx, 2000.

Radner, Hilary, and Moya Luckett, eds. Swinging Single: Representing Sexuality in the 1960s. Minneapolis: University of Minnesota Press, 1999.

Rajadhyaksha, Ashish, and Paul Willeman, eds. Encyclopedia of Indian Cinema. Rev. ed. London: British Film Institute, 1999.

Sandoval-Sanchez, Alberto, and Nancy Saporta Sternbach, eds. Puro Teatro: A Latina Anthology. Tuscon: University of Arizona Press, 2000.

Schutzman, Mady. The Real Thing: Performance, Hysteria, and Advertising. Hanover, NH: Wesleyan University Press, 1999.

Somerville, Siobhan B. Queering the Color Line: Race and the Invention of Homosexuality in American Culture. Durham, NC: Duke University Press, 2000.

Terry, Jennifer. An American Obsession: Science, Medicine, and Homosexuality in Modern Society. Chicago: The University of Chicago Press, 1999.

Tryster, Hillel. Israel before Israel: Silent Cinema in the Holy Land. Jerusalem: Steven Spielberg Jewish Film Archive, 1995.

White, Patricia. unInvited: Classical Hollywood Cinema and Lesbian Representability. Bloomington: Indiana University Press, 1999.



Additional Information

Print ISSN
pp. 202-204
Launched on MUSE
Open Access
Archive Status
Archived 2005
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