- What is the value of water if it doesn't quench our thirst for…
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What is the relationship of the natural world to memory, personal and cultural? How does nature create memorials for the large and subtle histories that occurred? The sea, the land, and the flora all play a role. Echoing the dichotomy of the Caribbean landscape, the vital foliage cloaks the soil that nurtures and buries our histories.
In my narratives I hope to create a seasonal memorial. Cycles of memory that are embedded in weather patterns and seasons. A young girl who is both ancestor and descendant. Her journey begins inland, and she makes her way to shore only to return to the center. Her impulse is to perform this ritual as a form of (re)membering what was lost/taken/ forgotten. Traveling across (in)visible boundaries toward the shore.
The shore represents the edges of the land,
the transitional space of departure and arrival.
The flowers, metaphors for both the wounds of history
and the beauty of regeneration.
________
Roots dig deep,
the tree is nurtured,
and blossoms erupt on hillsides,
in valleys and flesh.
________
It is a season of the bloom.
________
What is the relationship of the natural world to memory, personal and cultural? Does nature create memorials for the small and large atrocities/histories that occurred?
________
the sea
the shore
the land
the flora
the hurricane
________
cycles of memory
memory as season
season as memorial [End Page 166]
Deborah Jack (whose work appears on the cover of this issue) is an artist with affiliations to the Netherlands and Saint Martin. Her work, based in video/sound installation, photography, painting, and text, currently deals with transcultural existence, memory, the effects of colonialism, and mythology through re-memory. As a multimedia artist, she engages a variety of strategies for mining the intersections of cultural memory and climate change, while negotiating a global present.