Abstract

Abstract:

Drawing from personal experience revising my dissertation into a book and helping dozens of authors do the same, I put language to a critical yet challenging phase in this process: working on one's book. After describing what working on one's book entails, elucidating how it fundamentally differs in posture from writing a book proposal, and explaining why authors might abandon this work prematurely in favour of more familiar modes of working, I offer actionable prompts and exercises that authors can use to make working on their book more concrete.

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