- Outer Lands, and: The Marshes Have No Memory
Outer Lands
I'll tell you the story. I was walkingthe outer edge of the outer lands
where sporadic signs staked in duneswarned to keep distant from the mammals;
in fact, there were critical acts in placeto enforce nonmolestation,
but between me and the sea a sealappeared to be having a time of it,
rocked and moaned in a deepening birth,as if trying to summon momentum
to roll down the beach toward water.In short, it seemed stuck and—it's never far off
in the imagination—dying. I thoughtI should bring sea to the seal. I filled
a detergent bottle at the surf and calledthe seal "buddy." "You OK, buddy?"
as the tide went this way, then that,with no sense of intention. An hour before,
I had encountered a friend on this beach,both of us having walked through our pasts
to that moment. Now he was goneand I was supposed to be in the mountains [End Page 13]
but the mountains were on fire.From the highway that morning
I watched smoke plumes risein each far valley and drove past my exit
straight for the coast, straight intothis story where I gathered
armloads of kelp, making a damp bedfor the seal. Increasingly, my efforts
bore the whiff of not science,but ritual. I consulted the experts
I wasn't too embarrassed to ask.On my phone I found a video
of a seal snared in Ocean Shores,two cops hunched above it, jabbing
at tangled fishing lines with utility knivesas the seal lurched, as the cops jolted
from its teeth. A crowd in sweaters gatheredas the camera narrowed to tattooed flames
on a bicep clenched around the seal.Beyond this, straggling clouds from Constable
on the horizon, bright light at their edgesreflected in mud. Then one officer
walked toward the SUV, retrieving a club, I feared,though he returned with a stick and wire loop—
one for the dogs they don't shoot, presumably.He fastened the catch at the seal's neck
and drove its head into sand until the body stilled,suddenly submissive. What looked like choking
wasn't—this time—and the line was cut,and the catch was loosed, and the seal's [End Page 14]
arched back bounded for ocean. The algorithmurged me further: a sea otter pup rescued
by blond hero in board shorts; a stranded whalein Weymouth; a lone porpoise found
in a British farmer's field fifty miles fromthe ocean. Here's the thing: I was looking
at the way things had happened in the worldfor evidence of how the world would happen.
Which never works. Each day bearssome crucial variance. And I knew this,
practically had it written on a coffee mug,but when I was there, and when there
was then, I had to say stop—and let redfill the harbor, and let red wash the shore,
and vow never to touch another living thingfor fear of how my being human might kill it. [End Page 15]
The Marshes Have No Memory
Man drove horse hard. Graythoroughbred, half-brother
to Guillotine. One day: heart attack.Reins dropped. Carriage wrecked.
The horse collapsed. No marshremembers its avocets. Bird watchers
and egg thieves lust froma jetty half-demolished to foil
raiding ships. Of whichthe marshes have no memory.
Knowing only how the huge sunparticipates in fields of datura.
How light steps unblemishedthrough vexations of prickly ash.
Over the marshes. And thenthe marshes themselves move on. [End Page 16]
Bill Carty is the author of Huge Cloudy (Octopus Books, 2019), which was long-listed for the Believer Book Award. He has received poetry fellowships from the Fine Arts Work Center in Provincetown, Artist Trust, Hugo House, and Jack Straw. Originally from coastal Maine, Bill now lives in Seattle, where he is senior editor at Poetry Northwest and teaches at Hugo House, the UW Robinson Center for Young Scholars, and Edmonds College.