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Erratum Due to an error in the production process, the final page of endnotes was inadvertently omitted from p. 74 of Zhiwei Xiao's article "Social Activism during the Republican Period: Two Case Studies of Popular Protests against the Movies," in the April 2000 (Volume 25, No.2) issue of Twentieth-Century China. The editor and staff regret the error, and apologize to Prof. Xiao and to the journal's readers. The omitted endnotes are reproduced below: 54 Dian sheng 5.21 (1936), p. 504. 55Nanjing, NO.2 Historical Archive, 12 (6)-17534-17535. 56CMA, Shehuiju 355. 57Tang Xiaodan, Lubian shiling (My memoirs) (Shanxi jiaoyu chubanshe, 1993), pp. 131-32. 58 "Yu ren he chu jiufen weiliao" (The controversy about My Beloved is not over yet), in Qingqing dianying 15.12 (December 1947). 59See CMA, Shehuiju-6. 60Ibid. 61 This tendency is particularly prevalent among the film historians in the PRC. See, for examples, Cheng, p. 339 and Jin Damo, "The death of a star." 62Philip Huang, "Public Sphere/Civil Society in China?-The Third Realm between State and Society," Modern China 19.2 (April 1993). 63Joseph Esherick and Jeffrey Wasserstrom, "Acting Out Democracy: Political Theatre in Modem China," Journal of Asian Studies 49.4 (1990), pp. 835-65. 64 Robert C. Post (ed.), Censorship and Silencing: Practices of Cultural Regulation (Los Angeles: Getty Institute of Research, 1998). 65ZhiweiXiao, "Film Censorship in China, 1927-1937." ...

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