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  • An American Diptych, and: Amid Interruptions, Samuel A. Cartwright Pontificates about Drapetomania to a Friend over Fine Dining, New Orleans, June 1851
  • Julie L. Moore (bio)

An American Diptych

The way to right wrongs is to shine the light of truth on them.

—Ida B. Wells

1.after a broadside ad for a runaway slave on August 4, 1853

Everything Emily owns in the worldshe wears on her 17-year-old backor carries in her northbound sack:one gingham bonnet with a red cord,

one dark calico, one blue and white dress,one pair of slippers, one white-striped shawl.Tho’s H. Williams, in his Kentucky drawl,dictates her belongings to me at his desk,

saying he’ll give $100 to anyone who bringsmy Black Woman and her well grown hips home(although we both know she kicks like a coltwhen forced to do something

she doesn’t want to doand shrieks like a barn owl at the moon).

2.after an untitled photograph of a Klan March in Gainesville, Georgia, September 5, 1992

When my boy toddled down the street,marching in stride with us Winder Knights,robed in white, wearing his proud hat,cape down his back like Batman(that’s what I told him when he foughtme this morning—at first, tied up in knots,then fidgeting, face turning beet red,whining he couldn’t catch his breath),

I saw him—Josh, the son I pushed like hellto get out of me (all that blood on pastelsheets!)—approach a cop (black dressed in bluelike a bruise, watching his every move),then spot his own small face in the riot shield,and (he couldn’t resist) touch it, for real. [End Page 334]

Amid Interruptions, Samuel A. Cartwright Pontificates about Drapetomania to a Friend over Fine Dining, New Orleans, June 1851

Ah, yes, I’m so glad you asked about that. We do sharecommon interests, don’t we? Probably because you and Iboth know the good Lord made the Negroes

to bend their knees to us in obedience to the Word.And we, in turn, feed and clothe them, offer fuelfor their fire, and provide a place for them to live.

The work we give them helps them feel a senseof purpose. We cannot defy the Almighty by lettingthem think more highly of themselves than they ought.

Amen? Amen. (no, no more wine. that’ll be fine, thank you.)As I was saying, we must not encourage them to dreamabout working their own fields, or, God forbid, to read and write.

When we do, I hypothesize, we inspire flights (peach pie?how can I refuse?) of, of, yes, there’s the word, fancythat confuse them cruelly, since they have a nature

not unlike that of a new-born infant of the white race.1So we allow them evenings with their families, yes, we do.We push them hard, true, but they bear the rays of the sun

better than we. We whip them before they raisetheir voices in protest, but only then—for that cancure dysaesthesia aethiopica, too, and stir the skin

into the sensitivity it lacks. (right you are, good sir, my scienceis sound. indeed—this is no germ theory! ha!)Where was I? Ah, yes, so our moderation—borne of love—

casts a preventative spell. Otherwise, the impulse to wanderoverruns them like miasma poisons the night air,spreading disease everywhere. (oh, very good to see you

this balmy evening as well!) And then, then they deceivethemselves into believing liberty affordssomething more than the hunger and helplessness

that’d await them. But I agree with you: the worstof the rascals do run, afflicted as they are with this unnaturalvagabondage. So what can we do? (yes, indeed, tomorrow

and tomorrow, I will—first thing!) When the patrol returnsthe fugitives to your hands, remedy the illness permanently:Cut off their big toes. That will foil their frustration forever.

Julie L. Moore

Julie L. Moore is a Best of the Net and six-time Pushcart Prize nominee, and the author of four poetry...

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Additional Information

ISSN
1945-6182
Print ISSN
1062-4783
Pages
pp. 334-335
Launched on MUSE
2021-04-03
Open Access
No
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