Abstract

abstract:

Dance and music serve in this essay to exemplify both the looping entanglement of art and life as well as the account of art and philosophy developed in Strange Tools. This essay replies to criticisms of Carrie Noland, Nancy S. Struever, and Thomas Rickert and also offers a briefer restatement of the general approach.

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Additional Information

ISSN
1527-2079
Print ISSN
0031-8213
Pages
pp. 63-80
Launched on MUSE
2021-03-31
Open Access
No
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