Abstract

PRECIS:

This essay explores the multiple layers of aesthetics in Korean Protestant Christianity, moving between South Korea, the United States, and Haiti, where Korean Protestant Christians began establishing missions in 1992. Following the transnational itineraries of Korean and Korean American Protestants, I will identify two distinct but not mutually exclusive orientations of their aesthetics. The first is an aesthetics of progress, which has been prominent since the inception of Protestant Christianity in Korea. The second is an aesthetics of Koreanness.

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