Abstract

ABSTRACT:

Explorer and artist Anthony Fiala successfully shot the first motion pictures in the polar regions between 1901 and 1905. The footage, however, was not edited and distributed as a film until 1909 when Kineto Ltd., London, released A Dash for the North Pole. This essay repositions Fiala as a pioneer in arctic filmmaking by examining the circumstances that delayed the film's production and distribution and caused the material to be misdated in archives.

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